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- About VMI
- Facilities
- Useful Info
- ARRI Alexa, all you need to know about the Alexa range of cameras
- The Case for HD - Pros and Cons
- Sony FS-700 4K slow motion with RAW to 240fps/120fps
- Producer’s guide to the pros and cons of shooting in 4K
- Archive of past VMI emails
- Why are Zeiss MasterPrimes so Good?
- The VMI Guide to Easy Streaming
- Types of Prores Codecs
- Everything that you wanted to know about Large Sensor Cameras but were too afraid to ask!
- RED EPIC vs RED Scarlet - What you need to know!
- iPhone_App
- The Aesthetics of Digital Cinema vs. Film
- Solid State HD Recorders
- DSLR Production
- Shallow Depth of Field good for streaming
- Low Energy Lighting
- Non-linear workflows
- Useful RED Links
- P2 and AVCCAM Links
- H.264 and Why is AVC Intra is so good!
- RED M-X Guide
- Useful RED Information
- The Film Look on a Budget
- HD and Film Lenses
- VMI Guide to Tapeless Acquisition & Workflow
- Choosing a Digital Format
- DVCPro HD
- Whether to use P2 or not over XDCAM HD
- P2: Everything you ever wanted to know about P2… but were too afraid to ask!
- HDCAM
- XDCAM-HD
- XDCAM-EX, what you really need to know!
- XDCAM Useful Links
- Consultancy & Training
- Useful Links
- Training
- Events
- Case Studies
- Rate card
- Login
- Register
