Canon C70 4K Camcorder with PL mount4K Super 35mm Dual Gain Output Sensor £182/day£546/week Add to cartView item
Canon C70 4K EOS Camcorder with EF and RF mount4K Super 35mm Dual Gain Output Sensor £142/day£426/week Add to cartView item
Sandisk CFAST2 128GB Memory Card (525MB/s write speed)CFast 2.0 Memory Card 525MB/s £28/day£84/week Add to cartView item
Anton Bauer Titon Micron 45Wh 3-way Flightsafe Power Kit (V-Mount)Flightsafe V-Lock battery kit £15/day£45/week Add to cartView item
Account of VMI Anamorphic and Large Sensor Event in January 4 March 2019 VMI hosted an Anamorphic and Large Sensor event in late January at the newly opened CVP Creative Space in Newman Street Fitzrovia, an elegant new showroom over four floors. The three-day event was well … Read more
VMI – Taking Stock 29 April 2026 It has been ten days since RD took over at VMI, and what a whirlwind it has been. A lot of people have got in touch with me across the … Read more
Sigma Cine Primes and Canon C700 capture the post-apocalypse To survive in a world destroyed by global warming a family needs to make a heartbreaking decision which could split them apart forever. This is the dystopian vision of writer-director … Read more
Apple TV’s Earth At Night In Colour Natural History DP, Mark Payne Gill shoots a series entitled Earth At Night In Colour using Astrograph lenses and Canon ME20 with 4m ASA in order to shoot entire episodes being lit just by the moon.
VMI evaluation of whether the Canon C500 Mk II is any good? The Canon C500 Mk II may look like a C300 II but it has been completely redesigned and we think that in this configuration it becomes a fully-featured 4K camcorder … Read more
The Canon C300 Mk II vs C300 – What’s the fuss about? Article exploring the differences between the Mk I and Mk II C300 camera.
12 bit RAW capture ARRI, Panasonic, Sony, Canon and other cameras using Odyssey 7Q/7Q+ RAW Recorder This article explains how 12 bit RAW capture of ARRI, Panasonic, Sony, Canon and other cameras is possible using the Odyssey 7Q/7Q+ RAW Recorder.
Do ‘Netflix Approved’ Cameras Really Matter? Netflix has established itself as a benchmark for original streaming content, and with that has come a specific set of requirements for the cameras used to capture its 4K Originals. … Read more
The Creative and Technical Differences between Full Frame and S-35 Fully Updated Article, April 2023: To shoot Full-Frame or S-35? Are there really artistic reasons for shooting on FF? What are the advantages and what gear will I need?
Mid-range cameras don’t mean compromise At VMI we’ve noticed a recent trend among filmmakers and wondered if you agree? We’ve spotted that a significant number of productions are ‘trading down’ from using traditional top of the range cine-cameras…
New generation of Auto Focus lenses now available with E and EF Mounts Auto Focus is here to stay and whilst this is not a panacea to force all focus-pullers to retrain, the increased adoption of Full Frame (which necessarily makes focussing more critical than S-35 or APSC formats) and the enhanced development of the technology, makes this functionality more useful and as a result, we are noticing an increased interest in it.
Alexa Mini or Amira – which should I choose? This is a short article to highlight the differences and similarities between the two cameras in order to assist VMI clients in making sensible and informed choices about which system would be most suitable for a given project.
Shoot the best quality 200fps available using Odyssey 7Q and Sony FS 700/C500 The Convergent Odyssey 7Q is a new off board 4K recorder with 8” OLED screen that offers outstanding slow motion capability at very high image quality when used in conjunction … Read more