RED DSMC2-Gemini 5K Camera Package

Shoot Kit 2EF- MMB1/MFF1/Video 20

Description
Rates & Accessories
Case Studies
Other Information

Latest RED DSMC-2 Gemini 5K large sensor digital film camera system.

Consider the addition of the Kippertie Revolva quick-change filter system

Shooting kit comprising

Latest RED DSMC-2 Gemini 5K large sensor digital film camera system.

Consider the addition of the Kippertie Revolva quick-change filter system

more...

Package Price

£528/day, £1584/week

Optional Accessories

14V/28V/48V FXLION 620WH Cine Block Battery
£35/day £105/week

Guides

Wireless Lens Control Systems - all you need to know

Everything you wanted to know about 4K but were too afraid to ask...

Do we adopt 4K now or wait for 8K?

The Case for and against 4K

Shooting with HD Video lenses on large sensor cameras

Large Sensor Cameras - Everything that you need to know

Guides:

RED Gemini Specs

SENSOR
SENSOR TYPE	GEMINI 15.4 Megapixel Dual Sensitivity CMOS
EFFECTIVE PIXELS	5120 × 3000
SENSOR SIZE	30.72 mm x 18.0 mm (Diagonal: 35.61 mm)
DYNAMIC RANGE	16.5+ stops
SIGNAL-TO-NOISE-RATIO	80 dB


RECORDING
MAX DATA RATES	75 fps at 5K Full Height 1.7:1 (5120 x 3000) 96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
MAX DATA RATES





PLAYBACK FRAME RATES	4:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps
REDCODE RAW ACQUISITION FORMATS	5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x 5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 3:1 REDCODE at 5K Full Height (5120 x 3000) and 24 fps 6:1 REDCODE at 5K Full Height (5120 x 3000) and 60 fps 2:1 REDCODE at 5K Full Format (5120 x 2700) and 24 fps 8:1 REDCODE at 5K Full Format (5120 x 2700) and 96 fps 2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps 6:1 REDCODE at 4K Full Format (4096 x 2160) and 120 fps


GENERAL
CONSTRUCTION	Magnesium and Aluminum Alloy
WEIGHT	3.35 lbs (BRAIN with Integrated Media Bay)
OPERATING TEMPERATURE	0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE	–20°C to 50°C (–4°F to 122°F)
RELATIVE HUMIDITY	0% to 85% non-condensing


FEATURES
COLOR MANAGEMENT	Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
	Variable number of 3D LUT outputs with DSMC2 expander module
	User programmable shaper 1D LUTs
	Tetrahedral interpolation, 16-bit processing
AUDIO	Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
AUDIO	Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
REMOTE CONTROL	Integrated REDLINK WiFi antenna
REMOTE CONTROL	Ethernet, RS232, and GPI Trigger with DSMC2 expander module
MONITOR OUTPUTS	3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
	1080p RGB or 4:2:2, 720p RGB or 4:2:2
	480p RGB or 4:2:2 (HDMI Only)
	SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONS	DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.
MONITOR OPTIONS	RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.


SOFTWARE
REDCINE-X PRO	4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
DELIVERY FORMATS	2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
	1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
	1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
VIDEO EDITING SOFTWARE	Adobe Premiere Pro, Avid Media Composer
COMPATIBILITY 4	DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro