Camera kits

RED DSMC2-Gemini 5K Camera Package / Supreme Full-Frame PL T1.5 Prime Set (25-85mm/T1.5) 5-lens package (PL mount)

Shoot Kit 8- MB19/FF4/Cine 30

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  • Description
  • Rates & Accessories
  • Case Studies
  • Other Information

Latest RED DSMC-2 Gemini 5K large sensor digital film camera system.

Consider the addition of the Kippertie Revolva quick-change filter system

Lenses

Extremely fast (T1.5), lightweight and compact cinema prime lenses in PL mount offering full 4K lens quality to all PL mount digital film and large sensor cameras and including ZEISS eXtended Data technology for electronic metadata capture.

5 lens package 25-85mm/T1.5 with Full Frame (FF Φ36mm) and S35 coverage.

Compatible with all cameras with PL mount including Full Frame cameras too without adaptation.  

All are rated for full 4K resolution and include follow focus rings, clear focus scaling and are fully manual throughout and the build quality is as good as you would expect from Zeiss.  

The Supreme Prime range will eventually (by end 2020) comprise focal lengths from 15mm to 200mm, and ten of the focal lengths will offer a maximum aperture of T1.5, while the 15mm and 150mm will be T1.8, and the 200mm will be a T2.1.

Also the lenses are really lightweight 1.2kg to 1.6kg each and extremely compact too.

  • All are T1.5-T22
  • All have 95mm front
  • All cover Full Frame coverage FF Φ36mm
  • PL mount
  • Lens data
  • There will eventually be 13 lenses in the series by end 2020

VMI Supreme 5 lens Cine Prime Set Comprising

  • Zeiss Supreme Prime 25mm/T1.5 FF Prime (PL mount).  Close Focus 0.26 m | 10‘‘
  • Zeiss Supreme Prime 29mm/T1.5 FF Prime (PL mount).  Close Focus 0.33 m | 13‘‘
  • Zeiss Supreme Prime 35mm/T1.5 FF Prime (PL mount).  Close Focus 0.32 m | 13‘‘
  • Zeiss Supreme Prime 50mm/T1.5 FF Prime (PL mount).  Close Focus 0.45 m | 18‘‘
  • Zeiss Supreme Prime 85mm/T1.5 FF Prime (PL mount).  Close Focus 0.84 m | 2‘9‘

All Zeiss Supreme Primes in this set have a 95mm front diameter.Supplied on a 3 day hire week.

Latest RED DSMC-2 Gemini 5K large sensor digital film camera system.

Consider the addition of the Kippertie Revolva quick-change filter system

more...


Package Price
£1055/day, £3165/week
Add to Shoot Kit


Optional Accessories

Guides

Wireless Lens Control Systems - all you need to know

Everything you wanted to know about 4K but were too afraid to ask...

Do we adopt 4K now or wait for 8K?

The Case for and against 4K

Shooting with HD Video lenses on large sensor cameras

Large Sensor Cameras - Everything that you need to know

 

Guides:

RED Gemini Specs

SENSOR  
SENSOR TYPE GEMINI 15.4 Megapixel Dual Sensitivity CMOS
EFFECTIVE PIXELS 5120 × 3000
SENSOR SIZE 30.72 mm x 18.0 mm (Diagonal: 35.61 mm)
DYNAMIC RANGE 16.5+ stops
SIGNAL-TO-NOISE-RATIO 80 dB
   
   
RECORDING  
MAX DATA RATES 75 fps at 5K Full Height 1.7:1 (5120 x 3000)

96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)

120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)

150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)

240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
 
   
 
   
   
   
PLAYBACK FRAME RATES  4:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps
REDCODE RAW ACQUISITION FORMATS 

5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x

5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

 

3:1 REDCODE at 5K Full Height (5120 x 3000) and 24 fps

6:1 REDCODE at 5K Full Height (5120 x 3000) and 60 fps

2:1 REDCODE at 5K Full Format (5120 x 2700) and 24 fps

8:1 REDCODE at 5K Full Format (5120 x 2700) and 96 fps

2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps 

6:1 REDCODE at 4K Full Format (4096 x 2160) and 120 fps

   
   
GENERAL  
CONSTRUCTION Magnesium and Aluminum Alloy
WEIGHT 3.35 lbs (BRAIN with Integrated Media Bay)
OPERATING TEMPERATURE 0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE –20°C to 50°C (–4°F to 122°F)
RELATIVE HUMIDITY 0% to 85% non-condensing
   
   
FEATURES  
COLOR MANAGEMENT Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs 
Variable number of 3D LUT outputs with DSMC2 expander module 
User programmable shaper 1D LUTs 
Tetrahedral interpolation, 16-bit processing
AUDIO Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz 
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
REMOTE CONTROL Integrated REDLINK WiFi antenna 
Ethernet, RS232, and GPI Trigger with DSMC2 expander module
MONITOR OUTPUTS 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 
1080p RGB or 4:2:2, 720p RGB or 4:2:2 
480p RGB or 4:2:2 (HDMI Only) 
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONS DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection. 
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.
   
   
SOFTWARE  
REDCINE-X PRO  4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 
DELIVERY FORMATS 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 
  1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF 
  1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
VIDEO EDITING SOFTWARE  Adobe Premiere Pro, Avid Media Composer 
COMPATIBILITY  4

DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

 

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