Camera kits

RED DSMC2-Gemini 5K Camera Package / MiniS4i_UNCOATED T2.8 (18-75mm)

Shoot Kit 9- MB19/20/FF4/O'Con 2060/2575/Tall/Short

NEW!
  • Description
  • Rates & Accessories
  • Case Studies
  • Other Information

Latest RED DSMC-2 Gemini 5K large sensor digital film camera system.

Consider the addition of the Kippertie Revolva quick-change filter system

Lenses

Cooke uncoated Mini S4i PL Prime Set of 5x T2.8 lens are smaller, lighter than the S4i but offers the same resolution, optical quality and reliability.  Previously known as Cooke Panchro but not to be confused with old generation Cooke Panchros. 

This is an identical set of Cooke S4i PL Prime lenses but we have supplied these with uncoated front elements in order to generate lots of flare, when this is desired.

Cooke Mini S4i PL Prime Set of 5x T2.8 lens are smaller, lighter than the S4i but offers the same resolution, optical quality and reliability. Cooke decided that the lenses should be equally suitable for shooting film and digital images up to and beyond a 4K resolution pipeline.

Read the new article UNCOATED lenses - what you need to know!

Read the article from Duncan Telford DoP on shooting on Uncoated lenses

In addition the lenses include /i Technology, providing lens data per frame for downstream post production.

Like the S4i lenses, the Cooke Mini S4is are designed for motion photography and they don't breathe.

The lenses are one stop slower than the S4i, as a result they can be smaller and lighter.

All Cooke lenses are colour matched. This means Cooke Mini S4i and S4i lenses can be mixed on a shoot with full confidence that the images will match.

Cooke Mini S4i PL Prime Lens Set

  • Cooke Mini S4i PL Prime 18mm T2.8
  • Cooke Mini S4i PL Prime 25mm T2.8
  • Cooke Mini S4i PL Prime 32mm T2.8
  • Cooke Mini S4i PL Prime 50mm T2.8
  • Cooke Mini S4i PL Prime 75mm T2.8

 

Guides

Wireless Lens Control Systems - all you need to know

Everything you wanted to know about 4K but were too afraid to ask...

Do we adopt 4K now or wait for 8K?

The Case for and against 4K

Shooting with HD Video lenses on large sensor cameras

Large Sensor Cameras - Everything that you need to know

 

Guides:

RED Gemini Specs

SENSOR  
SENSOR TYPE GEMINI 15.4 Megapixel Dual Sensitivity CMOS
EFFECTIVE PIXELS 5120 × 3000
SENSOR SIZE 30.72 mm x 18.0 mm (Diagonal: 35.61 mm)
DYNAMIC RANGE 16.5+ stops
SIGNAL-TO-NOISE-RATIO 80 dB
   
   
RECORDING  
MAX DATA RATES 75 fps at 5K Full Height 1.7:1 (5120 x 3000)

96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)

120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)

150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)

240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
 
   
 
   
   
   
PLAYBACK FRAME RATES  4:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps
REDCODE RAW ACQUISITION FORMATS 

5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x

5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

 

3:1 REDCODE at 5K Full Height (5120 x 3000) and 24 fps

6:1 REDCODE at 5K Full Height (5120 x 3000) and 60 fps

2:1 REDCODE at 5K Full Format (5120 x 2700) and 24 fps

8:1 REDCODE at 5K Full Format (5120 x 2700) and 96 fps

2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps 

6:1 REDCODE at 4K Full Format (4096 x 2160) and 120 fps

   
   
GENERAL  
CONSTRUCTION Magnesium and Aluminum Alloy
WEIGHT 3.35 lbs (BRAIN with Integrated Media Bay)
OPERATING TEMPERATURE 0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE –20°C to 50°C (–4°F to 122°F)
RELATIVE HUMIDITY 0% to 85% non-condensing
   
   
FEATURES  
COLOR MANAGEMENT Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs 
Variable number of 3D LUT outputs with DSMC2 expander module 
User programmable shaper 1D LUTs 
Tetrahedral interpolation, 16-bit processing
AUDIO Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz 
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
REMOTE CONTROL Integrated REDLINK WiFi antenna 
Ethernet, RS232, and GPI Trigger with DSMC2 expander module
MONITOR OUTPUTS 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 
1080p RGB or 4:2:2, 720p RGB or 4:2:2 
480p RGB or 4:2:2 (HDMI Only) 
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONS DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection. 
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.
   
   
SOFTWARE  
REDCINE-X PRO  4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 
DELIVERY FORMATS 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 
  1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF 
  1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
VIDEO EDITING SOFTWARE  Adobe Premiere Pro, Avid Media Composer 
COMPATIBILITY  4

DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

 

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