Camera kits

Equipment List - 4K Cameras

Sony Venice 6K Full Frame Camera with FF and Anamorphic Licence

The top of the range Sony Digital Film Camera, supplied fully loaded with anamorphic and Full Frame Licence, this camera is suitable for S-35 and Full Frame acquisition and is described by Sony as 'Aspect Ratio Agnostic', which means that by using and masking the extremely large image sensor (36x24mm), it can be used to capture every Aspect Ratio, including S35 spherical and S35 4:3 anamorphic, FF spherical, S35 4:3 anamorphic and also 3:2 anamorphic in UHD 4K and HD picture formats.  This camera is fully UHD 4K compliant, though it can capture images up to a maximum resolution of 6048 x 4032*.

*Firmware update may be required for this functionality

Sony Venice 6K Full Frame Camera with FF and Anamorphic Licence

Sony PMW-F55 XDCAM EX 2K/4K

Sony PMW-F55 Large Sensor XDCAM EX 4K Camcorder with PL lens mount and 2K or 4K acquisition options with slow motion capability and OLED viewfinder supplied as standard.  Please note that VMI cameras are fitted with the with DNxHD option. 

Optional AXS-R7 recorder allows for enhanced 4K acquisition and more high speed capture which we supply as a subsidised kit form complete with the AXS-R7 for high speed RAW capture.  Click here for package.

Sony PMWF55 hire | Sony PMW F55 Camera with DNxHD option

Sony PXW-FS7 Mk II 4K Camera

Sony FS-7 Mk II 4K large Sensor Camera with 4K record option and EF adapter and supplied with ARRI Pro kit as standard.

You can also book the Sony FS-7K 4K Camera with 4:2:2 Prores extender which offers 4:2:2 Prores record capability.

Please read VMI’s article, E-Mount Lenses - perfect for the Sony FS7

Please read VMI’s comparison article of the differences between the Sony F5 and the FS-7

Please also read VMI's article on Capturing 12 bit RAW with ARRI, Panasonic, Sony, Canon and other cameras using Odyssey 7Q RAW Recorder

GoFilm, Sony FS-7 II | 4K

Sony FS-7K Mk II 4K Camera + 4:2:2 Prores extender

Sony FS-7 Mk II 4K large Sensor Camera with 4K record option and EF adapter plus XDCA-FS7 Prores extender.

The Sony  FS-7K  Mk II 4K Camera without Prores extender is also available to hire.

Please read VMI’s article, E-Mount Lenses - perfect for the Sony FS7

Please read VMI’s comparison article of the differences between the Sony F5 and the FS-7

Please also read VMI's article on Capturing 12 bit RAW with ARRI, Panasonic, Sony, Canon and other cameras using Odyssey 7Q RAW Recorder

(Lens not included)

Sony PXW-FS7 4K Camera

Sony FS-7 4K large Sensor Camera with 4K record option and EF adapter and supplied with ARRI Pro kit as standard.

You can also book the Sony FS-7K 4K Camera with 4:2:2 Prores extender which offers 4:2:2 Prores record capability.

Please read VMI’s article, E-Mount Lenses - perfect for the Sony FS7

Please read VMI’s comparison article of the differences between the Sony F5 and the FS-7

Please also read VMI's article on Capturing 12 bit RAW with ARRI, Panasonic, Sony, Canon and other cameras using Odyssey 7Q RAW Recorder

GoFilm, Sony FS-7 | 4K

Sony FS-7K 4K Camera + 4:2:2 Prores extender

Sony FS-7 4K large Sensor Camera with 4K record option and EF adapter plus XDCA-FS7 Prores extender.

The Sony  FS-7K 4K Camera without Prores extender is also available to hire.

Please read VMI’s comparison article of the differences between the Sony F5 and the FS-7

Please read VMI’s article, E-Mount Lenses - perfect for the Sony FS7

Please also read VMI's article on Capturing 12 bit RAW with ARRI, Panasonic, Sony, Canon and other cameras using Odyssey 7Q RAW Recorder

(Lens not included)

Sony PXW-FS5 Mk II 4K Camera

Sony FS-5 Mk II 4K large Sensor Camera with 4K record option and EF adapter and supplied with Wooden Camera Unified Accessory kit with 15mm bars system as standard.

Please read VMI’s article, "E-Mount Lenses - perfect for the Sony FS7"

GoFilm, Sony FS-5 II | 4K

Sony A7S Mk II 4K DSLR Camera

Sony A7S Mark II mirrorless DSLR Camera with Sony E mount, capable of shooting 25p video and 4K on board.  Now supplied with 8SIN cage as standard.

Please read VMI’s article, E-Mount Lenses - perfect for the Sony FS7

Sony A7S 4K Mk 2 4K mirrorless DSLR Camera, GoFilm

ARRI Alexa Mini anamorphic with ARRIRAW

ARRI Alexa Mini 4K 4:3 35mm Digital Film Camera with 1:2.35 anamorphic licence and ARRIRAW licences.

Alexa Mini 4:3 anamorphic camera

Please read VMI’s comparison article: Alexa Mini or Amira? (or why I must have a Mini because it’s newer and better isn’t it?…no wait….) 

Please read VMI's article: WLCS Systems, All you need to know to explore the question of how to choose between the various systems and to introduce the range of WLCS systems which VMI arguably considers the best in their field and explain why we think that they work very well in given scenarios.

ARRI Alexa Mini 4:3 (with anamorphic and ARRIRAW licences)

ARRI Alexa Mini 4:3 (with anamorphic licence)

ARRI Alexa Mini 4K 4:3 35mm Digital Film Camera with 1:2.35 anamorphic licence

Consider also Alexa Mini 4:3 anamorphic camera with RAW licence

Please read VMI’s comparison article: Alexa Mini or Amira? (or why I must have a Mini because it’s newer and better isn’t it?…no wait….) 

Read VMI's article: WLCS Systems, All you need to know to explore the question of how to choose between the various systems and to introduce the range of WLCS systems which VMI arguably considers the best in their field and explain why we think that they work very well in given scenarios.

ARRI Alexa Mini with anamorphic licence

ARRI Amira UHD 4K

ARRI AMIRA 35mm, EF or B4 Mounted Digital Documentary Camera recording upto 200fps with Alexa image quality now with 4K UHD option.

Read the VMI Guide: Everything that you wanted to know about AMIRA.

Please read VMI’s comparison article: Alexa Mini or Amira? (or why I must have a Mini because it’s newer and better isn’t it?…no wait….) 

ARRI Amira - now available with EF, B4 & PL mounts

Canon C700 FF5.9K Camera PL/EOS (Full Frame)

Canon C700 FF 5.9K large Sensor Full Frame Camera supplied with choice of EF or PL mounts (compatible with all canon EF lenses or PL full frame lenses), equipped with 4K S35mm windowed option.  OLED viewfinder and ARRI Pro kit are included as standard.

The C700 FF is a versatile shoulder-mounted camera with full 4K capability and choice of PL or EF mount.  It records 4K images to internal CFAST 2 cards and will capture up to 15 stops of dynamic range with Canon 2 log internally as well for full HDR support.  (It is also compatible with original Canon log, Canon Log 2 or Canon Log 3 if preferred).

Please read the independent Newsshooter review of the C700 Camcorder

Please also read VMI's article on Capturing 12 bit RAW with ARRI, Panasonic, Sony, Canon and other cameras using Odyssey 7Q RAW Recorder

Please see VMI's list of Full Frame Lenses for hire 

*** available from September 2018 ***

Canon C700 4K Camera PL/EOS

Canon C700 4K large Sensor Camera with 4K record option and EF/PL mount options.  Supplied with OLED viewfinder and ARRI Pro kit as standard.

The C700 is a versatile shoulder-mounted camera with full 4K capability and choice of PL or EF mount.  It records 4K images to internal CFAST 2 cards and will capture up to 15 stops of dynamic range with Canon 2 log internally as well for full HDR support.  (It is also compatible with original Canon log, Canon Log 2 or Canon Log 3 if preferred).

The CODEX Recorder offering full RAW and Prores XQ record capability is planned to be available soon.

Please read the independent Newsshooter review of the C700 Camcorder

Please also read VMI's article on Capturing 12 bit RAW with ARRI, Panasonic, Sony, Canon and other cameras using Odyssey 7Q RAW Recorder

Canon C700 | C700PL | 4K

Canon C500 (PL Mount) 4K

Canon C500 Large Sensor Camcorder with a native PL mount and 4K RAW output. Requires a separate 4K recorder for 4K acquisition, such as Convergent Odyssey 7Q.

Please read VMI's article The Canon C300 Mk II vs C300 - What's the fuss about?

Please also read VMI's article on Capturing 12 bit RAW with ARRI, Panasonic, Sony, Canon and other cameras using Odyssey 7Q RAW Recorder

Canon C500PL hire London

Canon C200 (EOS Mount) 4K Camcorder

This is an interesting 4K alternative camera to the Canon C300 II in EOS mount, as it has a smaller footprint to the C300 II and is able to record internally to RAW (Cinema RAW Light), 4K UHD/50P MP4, 4K DCI RAW and upto 120fps in full HD without crop onto CFast 2 cards whilst retaining Canon's excellent dual pixel auto focus system.  However, it doesn't record Prores, for which you still require to use the C300 Mk I or Mk II.

C200 4K Camcorder (EOS) with RAW record capability

Canon C300 Mk II (PL Mount) 4K Camcorder

This is a very worthy successor to the incredibly popular Canon C300 in PL mount.

The Canon C300 Mk II is a Super-35, full 4K camcorder and this PL mount has a PL option and offers fully automatic operation including an effective autofocus (subject to being used with suitable lenses).  It recordson board 4K/Full HD video with HDR and Canon Log2 of the new REC 2020 colour gamut.

Please read VMI's article The Canon C300 Mk II vs C300 - What's the fuss about?

Please also read VMI's article on Capturing 12 bit RAW with ARRI, Panasonic, Sony, Canon and other cameras using Odyssey 7Q RAW Recorder

C300 Mk 2 4K Camcorder (PL)

Canon C300 Mk II (EOS Mount) 4K Camcorder

This is a very worthy successor to the incredibly popular Canon C300 in EOS mount.

The Canon C300 Mk II is a Super-35, full 4K camcorder which is here is EOS mount, though a PL mount is optionally available and offers fully automatic operation including an effective autofocus (subject to being used with suitable lenses).  It recordson board 4K/Full HD video with HDR and Canon Log2 of the new REC 2020 colour gamut.

Please read VMI's article The Canon C300 Mk II vs C300 - What's the fuss about?

Please also read VMI's article on Capturing 12 bit RAW with ARRI, Panasonic, Sony, Canon and other cameras using Odyssey 7Q RAW Recorder

 

C300 Mk 2 4K Camcorder (EOS)

Canon EOS-5D MkIV DSLR 4K Camera

Canon EOS 5D MKIV DSLR camera with full Super-35 sensor. This camera is suitable for both stills and video applications and the Mk IV includes 4K onboard record capability in APSC (S-35 cropped mode).  Supplied as standard with Sony C-Log

Canon 5D MkIV hire | Canon 5D Mk4 Camera GoFilm

Canon XF705 MXF 4K World Camera

Canon file-based MPEG4 recording to SD/XC cards at 160Mbps (4:2:2) 10 bit for approved 4K UHD HD acquisition.  Note that this is a 'world' camera which works in all frame rates.

Canon XF705 MXF hire | Canon XF 705 camera MPEG-4, 160Mbps, H.265/HEVC Codec, 15x Optical Zoom Lens and 4K UHD CMOS Sensor

Go Pro Hero 7 Minicam 4K

Mini waterproof almost indestructible minicam with grip accessories kit and on-board 4K record.

The HERO7 Black is a waterproof (to 33ft) and captures up to Ultra HD 4K resolution video (3840x2160) at up to 60 fps with built-in HyperSmooth Video Stabilization to let you get smooth, professional-looking video. 

Other recording resolutions include 2.7K at up to 120 fps for slow motion, and Full HD 1080p at up to 240 fps for super slow motion. Still images can be captured in up to 12MP resolution in bursts of up to 30 images per second.

 

Go Pro Hero7 Minicam hire | Go Pro Hero7 Camera

GoPro Hero 6 Black Minicam 4K

HERO6 Black is the latest full 4K GoPro camera.  Please note that this camera records 4K UHD, not Cinema 4K / DCI.

4K quality, incorporating voice control, one-button operation, touch display, waterproof design, video stabilisation, improved audio, improved stills and now with GPS too. Better wifi capability with Quik application allows videos to be easily uploaded to the cloud.

Go Pro Hero6 Minicam hire 4K

GoPro Hero 5 Black Minicam 4K

HERO5 Black is the latest full 4K GoPro camera.  

4K quality, incorporating voice control, one-button operation, touch display, waterproof design, video stabilisation, improved audio, improved stills and now with GPS too. Better wifi capability with Quik application allows videos to be easily uploaded to the cloud.

Go Pro Hero5 Minicam hire 4K

Panasonic Varicam LT 4K Camera

Panasonic Varicam LT 4K large Sensor Camera with 4K record option and PL/EF lens option.

The same look, wide colour gamut, dual ISO settings and high sensitivity as the Varicam 35 cinema camera but in a smaller body, lower power consumption and slow motion of up to 240p in HD and 60p in 4K.  2 x 512GB P2 Express cards are supplied as standard and more are available on request.

Please read VMI's article on Capturing 12 bit RAW with ARRI, Panasonic, Sony, Canon and other cameras using Odyssey 7Q RAW Recorder

Now with 12 bit RAW capture if using Odyssey 7Q/7Q+ recorder

Panasonic EVA1 5.7K S-35 Compact Cinema Camera

Panasonic's newest compact cinema camera, EVA1 4K camera with Super 35 size sensor, dual native ISO, CFAST card storage and also native EF lens mount. This camera by design can be used as a modular and flexible system, making suitable for both documentary, cinema and video applications.  The compact design makes it perfectly suited to gimbal work but the high specifications including 10 bit, 4K, 4:2:2 onboard record capability and RAW capture absolutely makes it capable of much more.  The VMI package includes full ARRI Pro kit.

Note that as of April 2017, the Panasonic EVA 1 is now Netflix approved

Please read VMI’s article, Panasonic EVA1 now enables external 5.7K RAW recording to external recorders up to 30p

NETFLIX APPROVED Panasonic EVA1 5.7K S-35 Compact Cinema Camera | Panasonic 4K Camera

Panasonic GH5 DSLR 4K Camera with V-Log

Panasonic LUMIX GH5 4K camera with MFT(Micro 4/3) size sensor. This camera is suitable for both stills and video applications and the GH5 includes 10 bit, 4K, 4:2:2 onboard record capability in MFT format recording internally to SD cards at up to 30fps.  Note however that the Speedbooster adapters supplied will allow Canon EF mount lenses and effectively increase the sensor size and aspect ratio to APSC/S-35 format.  The VMI package includes the external audio box with dual XLR inputs as standard.

Panasonic LUMIX GH5 4K Camera hire | Panasonic GH5 Camera GoFilm complete with audio box and M43 Speedbooster

RED DSMC2-Helium 8K Camera/OMOD PLUS Package

Latest RED DSMC-2 Helium 8K large sensor digital film camera complete with OFFHOLLYWOOD Command RT integrated module for additional functionality.

This combination effectively turns a RED Weapon 8K camera into a RED DSMC2 PLUS with built-in WLCS receiver and lockit box, similar to Alexa PLUS.

Please note that this used to be called a RED EPIC-W camera but has been upgraded to Weapon spec and is now known as a RED DSMC2 Helium, as it includes a Helium Sensor and 8K/60 Weapon specifications.

Consider the addition of the Kippertie Revolva quick-change filter system

Read VMI's article: WLCS Systems, All you need to know to explore the question of how to choose between the various systems and to introduce the range of WLCS systems which VMI arguably considers the best in their field and explain why we think that they work very well in given scenarios.

RED Weapon Helium spec 8K Helium Camera with Integrated OMOD Command RT option

RED DSMC2-Gemini 5K Camera Package

Latest RED DSMC-2 Gemini 5K large sensor digital film camera system.

Consider the addition of the Kippertie Revolva quick-change filter system

RED Weapon Gemini spec 5K Helium Camera System

Case Studies - 4K Cameras

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