- About VMI
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- Useful Info
- VMI Guide to Film Lenses
- Panasonic EVA1 now permits external 5.7K RAW record to external recorders
- Filmmaker's Guide to Sensor Sizes and Lens Formats
- 2016 revised IATA Guidelines on air transport of Lithium-ion batteries
- VMI Guide to Lighting
- HDR SURVIVAL GUIDE
- Alexa Mini or Amira - which should I choose?
- Get More from your Production Budget
- Stuff that you didn't know you needed
- 12 bit RAW capture ARRI, Panasonic, Sony, Canon and other cameras using Odyssey 7Q RAW Recorder
- HDR reality and monitoring - a DOP's Perspective
- Best Practice for avoiding Data Loss and strategies to fix if you do
- Camera Comparison Chart
- Film Zoom Lens Comparison Chart
- Wireless Lens Control Systems – all you need to know
- More Lenses are Coming...
- Easyrig - all you need to know
- Sigma_Primes_and_Zoom_Lenses
- Sony F5 and FS7 - which is better?
- The Canon C300 Mk II vs C300 - What's the fuss about?
- 2016 Anamorphic Prime Lens Chart
- PLEASE HELP STOP EQUIPMENT THEFT
- Guide: How to Shoot Bullet Time
- MōVI, Ronin & IKAN Gimbals – all you need to know
- Do we adopt 4K now or wait for 8K?
- Shooting with Uncoated Lenses
- PMW-F5/F55 Version 3 Upgrade
- Shoot the best quality 200fps available using Odyssey 7Q and Sony FS 700/C500
- What is the collective term for tripod tubes?
- Shooting with HD Video lenses on large sensor cameras.
- Canon C300 Tutorials
- ARRI Amira
- UNCOATED lenses - what you need to know
- ARRI Alexa, all you need to know about the Alexa range of cameras
- The Case for 4K - Pros and Cons
- Sony FS-700 4K slow motion with RAW to 240fps/120fps
- Producer’s guide to the pros and cons of shooting in 4K
- Why are Zeiss MasterPrimes so Good?
- The VMI Guide to Easy Streaming
- Video Bitrate Calculator
- Low Energy Lighting
- Types of Prores Codecs
- Everything that you wanted to know about Large Sensor Cameras but were too afraid to ask!
- RED EPIC vs RED Scarlet - What you need to know!
- iPhone_App
- The Aesthetics of Digital Cinema vs. Film
- Solid State HD Recorders
- DSLR Production
- Shallow Depth of Field good for streaming
- Non-linear workflows
- Useful RED Links
- P2 and AVCCAM Links
- H.264 and Why is AVC Intra is so good!
- RED M-X Guide
- Useful RED Information
- The Film Look on a Budget
- HD and Film Lenses
- VMI Guide to Tapeless Acquisition & Workflow
- Choosing a Digital Format
- DVCPro HD
- Whether to use P2 or not over XDCAM HD
- P2: Everything you ever wanted to know about P2… but were too afraid to ask!
- HDCAM
- XDCAM-HD
- XDCAM-EX, what you really need to know!
- XDCAM Useful Links
- How Infrared light affects Cinematography
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