Camera kits

Sony Venice 6K Full Frame Camera with FF and Anamorphic Licence / S6i_2x_Anamorphic/i T2.3 Prime set

Shoot Kit 9- MB19/20/FF4/O'Con 2060/2575/Tall/Short

  • Description
  • Rates & Accessories
  • Other Information

The top of the range Sony Digital Film Camera, supplied fully loaded with anamorphic and Full Frame Licence, this camera is suitable for S-35 and Full Frame acquisition and is described by Sony as 'Aspect Ratio Agnostic', which means that by using and masking the extremely large image sensor (36x24mm), it can be used to capture every Aspect Ratio, including S35 spherical and S35 4:3 anamorphic, FF spherical, S35 4:3 anamorphic and also 3:2 anamorphic in UHD 4K and HD picture formats.  This camera is fully UHD 4K compliant, though it can capture images up to a maximum resolution of 6048 x 4032*.

*Firmware update may be required for this functionality

Lenses

Cooke S6i anamorphic PL 2x prime lens set consisting of 5 x lenses: 32mm/T2.3, 40mm/T2.3, 50mm/T2.3, 75mm/T2.3, 100/T2.3.

Precision anamorphic lenses created by Cook with the legendary 'Cooke Look'.

The Anamorphic /i lenses offer superb optical and mechanical performance. Distortion, veiling glare, flares, and all aberrations are controlled at all apertures over the whole field of view. Like all Cooke S4/i, 5/i and miniS4/i prime lenses, the cam focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability. 

Further VMI Compatibility Tests

In tests, we have put the widest Cooke anamorphic (32mm) on an Alexa 4:3 and it doesn’t vignette with either the ARRI LMB 15 or the ARRI LMB-25 clip-on matte boxes.
It doesn’t vignette with the x2 PL extenders either.

Cooke S6i anamorphic PL Prime set

  • 32mm/T2.3
  • 40mm/T2.3,
  • 50mm/T2.3,
  • 75mm/T2.3,
  • 100mm/T2.3

110mm Front lens Diameter for all bar 25mm (136mm)

The top of the range Sony Digital Film Camera, supplied fully loaded with anamorphic and Full Frame Licence, this camera is suitable for S-35 and Full Frame acquisition and is described by Sony as 'Aspect Ratio Agnostic', which means that by using and masking the extremely large image sensor (36x24mm), it can be used to capture every Aspect Ratio, including S35 spherical and S35 4:3 anamorphic, FF spherical, S35 4:3 anamorphic and also 3:2 anamorphic in UHD 4K and HD picture formats.  This camera is fully UHD 4K compliant, though it can capture images up to a maximum resolution of 6048 x 4032*.

*Firmware update may be required for this functionality

more...


Package Price
£2250/day, £6750/week
Add to Shoot Kit


Optional Accessories

Guides

Everything you wanted to know about 4K but were too afraid to ask...

Do we adopt 4K now or wait for 8K?

The Case for and against 4K

Shooting with HD Video lenses on large sensor cameras

Types of Apple Prores codecs and recording durations

Everything you wanted to know about 4K but were too afraid to ask...

Large Sensor Cameras - Everything that you need to know

Specifications

Model Name

MPC-3610

General

Power Requirements

DC12V (11~17.0V)

  DC24V (22~32.0V)

Operating Temperature

0 ~ 40℃

Storage Temperature

-20℃〜60℃

Mass

Approx. 3.9kg (8lb 10oz) (without lens, handle, VF attachment expansion bottom plate and accessories)

Dimensions

133 x 159 x 172 mm (without protrusion)

Camera

Imaging Device

Full-Frame CMOS

Imaging Device Pixel Count

24.7M (total), 24.4M (effective)

Imaging Device Size

36.2x24.1mm. 43.5mm (diagonal).

Built-In ND Filters

Clear, 0.3(1/2), 0.6(1/4), 0.9(1/8), 1.2(1/16), 1.5(1/32), 1.8(1/64), 2.1(1/128), 2.4(1/256)

ISO Sensitivity

ISO500

Lens Mount

PL Mount

  E-mount (lever lock type, without supplied PL lens mount adaptor)

Latitude

15+ Stop

Imager mode:

3.8K 16:9, 4K 17.9: 1-60FPS
  4K 4:3: 1-48FPS
  4K 6:5, 5.7K 16:9, 6K 17:9, 6K 1.85:1, 6K 2.39:1: 1-30FPS
  6K 3:2: 1-24FPS

White Balance

2000~15000Kelvin and Green/Magenta adjust, AWB*

Gamma Curve

S-Log3

Recording

Recording Format (Video)

XAVC 4K Class480: 23.98p, 24p, 25p, 29.97p

  XAVC 4K Class300: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
  XAVC QFHD Class480: 23.98p, 25p, 29.97p
  XAVC QFHD Class300: 23.98p, 25p, 29.97p, 50p, 59.94p
  MPEG HD422(1920x1080): 23.98p, 24p, 25p, 29.97p, 50i, 59.94i
  HD ProRes 422HQ*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 60i
  HD ProRes 422*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
  HD ProRes 422 Proxy*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i

Recording Format (RAW/X-OCN) *required AXS-R7

RAW SQ:

  4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
  3.8K 16:9 (3840 x 2160): 23.98p, 25p, 29.97p, 50p, 59.94p
  X-OCN ST/LT:
  6K 3:2(6048 x 4032)*: 23.98p, 24p,
  6K 2.39:1 (6048 x 2530)*: 23.98p, 24p, 25p, 29.97p
  6K 1.85:1 (6048 x 3270)*: 23.98p, 24p, 25p, 29.97p
  6K 17:9 (6048 x 3190)*: 23.98p, 24p, 25p, 29.97p
  5.7K 16:9 (5672 x 3190)*: 23.98p, 25p, 29.97p
  4K 6:5(4096x3432)*:23.98p, 24p, 25p, 29.97p
  4K 4:3(4096x3024) :23.98p, 24p, 25p*, 29.97p*
  4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
  3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p

Recording Format (Audio)

LPCM 4ch , 24-bit 48-kHz

Inputs/Outputs

DC Input

XLR-type 4pin (male)

Battery DC Input

Square-shaped 5pin connector

DC Output

12V: Hirose 4pin x1

  24V: Fischer 3pin x2

SDI Output

BNC×4, (12G, 3G, 1.5G-SDI)

HD MONI Output

BNCx1 (1.5G-SDI)

HDMI Output

Type A ×1

VF

LEMO 26pin

Audio Input

XLR-type 5pin (female) x1 (LINE/ AES/EBU / MIC / MIC+48V selectable)

Timecode Input

BNC x1

Genlock Input

BNC x1

AUX

LEMO 5pin (female) x1 (Timecode Output)

Remote*

8pin x1

Lens*

12pin x1

Lens Mount Hot Shoe

4pin x2, conforming to Cooke /i Intelligent Electronic Lens System

Network*

RJ-45 type x1, 10BASE-T, 100BASE-TX

USB*

USB host, type-A x1

Headphone Output

Stereo mini jack x1

Speaker Output

Monaural

Media type

ExpressCard/34 slot×2

  SD card slot ×1

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