Sony Venice 6K Full Frame Camera with FF and Anamorphic Licence photo 1

Sony Venice 6K Full Frame Camera with FF and Anamorphic Licence photo 2

Sony Venice 6K Full Frame Camera with FF and Anamorphic Licence photo 3

Sony Venice 6K Full Frame Camera with FF and Anamorphic Licence photo 4

Sony Venice 6K Full Frame Camera with FF and Anamorphic Licence photo 5

Sony Venice 6K Full Frame Camera with FF and Anamorphic Licence / CompactPrime T2.1-2.9/3.5 Set (18-85mm)

Shoot Kit 9- MB19/20/FF4/O'Con 2060/2575/Tall/Short

NEW!

Description
Rates & Accessories
Other Information

The top of the range Sony Digital Film Camera, supplied fully loaded with anamorphic and Full Frame Licence, this camera is suitable for S-35 and Full Frame acquisition and is described by Sony as 'Aspect Ratio Agnostic', which means that by using and masking the extremely large image sensor (36x24mm), it can be used to capture every Aspect Ratio, including S35 spherical and S35 4:3 anamorphic, FF spherical, S35 4:3 anamorphic and also 3:2 anamorphic in UHD 4K and HD picture formats. This camera is fully UHD 4K compliant, though it can capture images up to a maximum resolution of 6048 x 4032*.

*Firmware update may be required for this functionality

Shooting kit comprising

Lenses

Carl Zeiss Compact Prime film lens with DSLR optics (CP.2). PL or EOS mount.

These are effectively T2.1 Zeiss ZF DSLR Prime lenses optimised to work with large sensor DSLR cameras rehoused in film lens housing to give superior focus movement.

Focus direction is the same direction as motion picture lenses, no reversible follow focus unit required.

Full frame coverage 24x36mm for focal lengths 21-85mm and all have front element of 114mm including 18mm.

300 degrees focus range.

Some people want to know why we have broken with tradition and do not supply a conventional 18, 25, 35, 50, 85mm set. This is because these are not a speed-matched set with a common T stop, so this will become 18mm/T3.5 (slow), 25mm (T2.9), then the other 3 with common T2.1. Instead a 21mm has T2.9 and the other 4 are matched T2.1 we find a better combination. Also the jump between an 18mm and 25mm is quite large, so 21, 28, 35, 50, 85 is a happy compromise!

Zeiss Compact Prime set

18mm CP T3.5
21mm CP T2.9
28mm CP T2.1
35mm CP T2.1
50mm CP T2.1
85mm CP T2.1

Other focal lengths available: 100mm/T2.1

*Firmware update may be required for this functionality

more...

Package Price

£1180/day, £3540/week

Optional Accessories

14V/28V/48V FXLION 620WH Cine Block Battery
£35/day £105/week
Sony Venice Rialto Extension System
£300/day £900/week

Guides

Everything you wanted to know about 4K but were too afraid to ask...

Do we adopt 4K now or wait for 8K?

The Case for and against 4K

Shooting with HD Video lenses on large sensor cameras

Types of Apple Prores codecs and recording durations

Everything you wanted to know about 4K but were too afraid to ask...

Large Sensor Cameras - Everything that you need to know

Specifications

Model Name

MPC-3610

General

Power Requirements	DC12V (11～17.0V)
	DC24V (22~32.0V)
Operating Temperature	0 ～ 40℃
Storage Temperature	-20℃〜60℃
Mass	Approx. 3.9kg (8lb 10oz) (without lens, handle, VF attachment expansion bottom plate and accessories)
Dimensions	133 x 159 x 172 mm (without protrusion)

Camera

Imaging Device	Full-Frame CMOS
Imaging Device Pixel Count	24.7M (total), 24.4M (effective)
Imaging Device Size	36.2x24.1mm. 43.5mm (diagonal).
Built-In ND Filters	Clear, 0.3(1/2), 0.6(1/4), 0.9(1/8), 1.2(1/16), 1.5(1/32), 1.8(1/64), 2.1(1/128), 2.4(1/256)
ISO Sensitivity	ISO500
Lens Mount	PL Mount
	E-mount (lever lock type, without supplied PL lens mount adaptor)
Latitude	15+ Stop
Imager mode:	3.8K 16:9, 4K 17.9: 1-60FPS
	4K 4:3: 1-48FPS
	4K 6:5, 5.7K 16:9, 6K 17:9, 6K 1.85:1, 6K 2.39:1: 1-30FPS
	6K 3:2: 1-24FPS
White Balance	2000~15000Kelvin and Green/Magenta adjust, AWB*
Gamma Curve	S-Log3

Recording

Recording Format (Video)	XAVC 4K Class480: 23.98p, 24p, 25p, 29.97p
	XAVC 4K Class300: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
	XAVC QFHD Class480: 23.98p, 25p, 29.97p
	XAVC QFHD Class300: 23.98p, 25p, 29.97p, 50p, 59.94p
	MPEG HD422(1920x1080): 23.98p, 24p, 25p, 29.97p, 50i, 59.94i
	HD ProRes 422HQ*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 60i
	HD ProRes 422*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
	HD ProRes 422 Proxy*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
Recording Format (RAW/X-OCN) *required AXS-R7	RAW SQ:
	4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
	3.8K 16:9 (3840 x 2160): 23.98p, 25p, 29.97p, 50p, 59.94p
	X-OCN ST/LT:
	6K 3:2(6048 x 4032)*: 23.98p, 24p,
	6K 2.39:1 (6048 x 2530)*: 23.98p, 24p, 25p, 29.97p
	6K 1.85:1 (6048 x 3270)*: 23.98p, 24p, 25p, 29.97p
	6K 17:9 (6048 x 3190)*: 23.98p, 24p, 25p, 29.97p
	5.7K 16:9 (5672 x 3190)*: 23.98p, 25p, 29.97p
	4K 6:5(4096x3432)*:23.98p, 24p, 25p, 29.97p
	4K 4:3(4096x3024) :23.98p, 24p, 25p, 29.97p
	4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
	3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
Recording Format (Audio)	LPCM 4ch , 24-bit 48-kHz

Inputs/Outputs

DC Input	XLR-type 4pin (male)
Battery DC Input	Square-shaped 5pin connector
DC Output	12V: Hirose 4pin x1
	24V: Fischer 3pin x2
SDI Output	BNC×4, (12G, 3G, 1.5G-SDI)
HD MONI Output	BNCx1 (1.5G-SDI)
HDMI Output	Type A ×1
VF	LEMO 26pin
Audio Input	XLR-type 5pin (female) x1 (LINE/ AES/EBU / MIC / MIC+48V selectable)
Timecode Input	BNC x1
Genlock Input	BNC x1
AUX	LEMO 5pin (female) x1 (Timecode Output)
Remote*	8pin x1
Lens*	12pin x1
Lens Mount Hot Shoe	4pin x2, conforming to Cooke /i Intelligent Electronic Lens System
Network*	RJ-45 type x1, 10BASE-T, 100BASE-TX
USB*	USB host, type-A x1
Headphone Output	Stereo mini jack x1
Speaker Output	Monaural
Media type	ExpressCard/34 slot×2
	SD card slot ×1