Search Results for: atlas orion

Account of VMI Anamorphic and Large Sensor Event in January

4 March 2019

VMI hosted an Anamorphic and Large Sensor event in late January at the newly opened CVP Creative Space in Newman Street Fitzrovia, an elegant new showroom over four floors. The three-day event was well … Read more

Netflix Surgeon’s Cut Shooting With Cinema Cameras and Lenses

Netflix’s cinematic documentary, ‘The Surgeon’s Cut’ has won a well-deserved Emmy in the category of Outstanding Science and Technology Documentary. This four-chapter series demonstrates some new and intriguing filming techniques. … Read more

Phoenix Rise

There’s a stigma that some kids’ shows can have which is about tending to have the same quite high key look and not affording that many creative opportunities,” says Claudio Cadman, the show’s director of photography (Cunk On Earth)…

Shooting Anamorphic in Full Frame and S-35

Everyone appreciates the cinematic quality of shooting anamorphic.

With the popularity of Full Frame, it made sense for VMI to make more options available for capturing in both anamorphic and Frame. This is a new article to explore these options.

The Creative and Technical Differences between Full Frame and S-35

Fully Updated Article, April 2023:  To shoot Full-Frame or S-35? Are there really artistic reasons for shooting on FF?

What are the advantages and what gear will I need?

Anamorphic and Full Frame Lens Tests, including a 57 Video Playlist.

Do you ever wonder what a Zeiss Supreme looks like next to a Zeiss Masterprime?  or what about a Tokina Vista next to an ARRI Signature prime, or even how … Read more

Mid-range cameras don’t mean compromise

At VMI we’ve noticed a recent trend among filmmakers and wondered if you agree? We’ve spotted that a significant number of productions are ‘trading down’ from using traditional top of the range cine-cameras…