Cooke Panchro Classic/i FF S3 T2.2 5-lens Prime set (25-100mm/T2.2) Full FrameModern remake of Cooke Vintage 5 lens prime set 25-100mm. Full Frame Version £515/day£1,545/week Add to cartRead more
Cooke Panchro Classic T2.3-2.8 S-35 Prime setModern remake of Cooke Vintage 5 lens prime set 18-75mm £373/day£1,119/week Add to cartRead more
Cooke Speed Panchro T2.3-2.8 S2/S3 Prime setClassic Vintage Look £327/day£981/week Add to cartRead more
Cooke SP3 FF Mirrorless Prime set (25-100mm/T2.4) E-mountCompact Full Frame Mirrorless Prime Set £325/day£975/week Add to cartRead more
Cooke Mini S4i T2.8 Prime Set (18-75mm)Basic 5 lens S-35 prime set £321/day£963/week Add to cartRead more
Cooke Mini S4i UNCOATED T2.8 (18-75mm)Basic 5 lens S-35 prime set - uncoated to encourage flare generation and softer look £321/day£963/week Add to cartRead more
Cooke Mini S4i UNCOATED T2.8 100mm/T2.8Uncoated to encourage flare generation and softer look £138/day£414/week Add to cartRead more
Cooke Panchro Classic Macro 65mm/T2.4 (FF)Modern remake of Cooke Vintage primes 65mm/T2.4 Macro FF £130/day£390/week Add to cartRead more
Cooke 152mm Panchro Classic/i S3 FF T2.2Modern remake of Cooke Vintage primes. Full Frame Version £125/day£375/week Add to cartRead more
Cooke 27mm Panchro Classic/i S3 FF T2.2Modern remake of Cooke Vintage primes. Full Frame Version £115/day£345/week Add to cartRead more
Cooke 40mm Panchro Classic/i S3 FF T2.2Modern remake of Cooke Vintage primes. Full Frame Version £115/day£345/week Add to cartRead more
Cooke 100mm Panchro Classic/i S3 FF T2.6Modern remake of Cooke Vintage primes. Full Frame Version £115/day£345/week Add to cartRead more
Cooke 135mm Panchro Classic/i S3 FF T2.8Modern remake of Cooke Vintage primes. Full Frame Version £115/day£345/week Add to cartRead more
Cooke 18mm Panchro Classic/i S3 FF T2.2Modern remake of Cooke Vintage primes. Full Frame Version £115/day£345/week Add to cartRead more
Cooke Panchro Classic 40mm T2.3 PL PrimeModern remake of Cooke Vintage 5 lens prime 40mm/T2.3. £104/day£312/week Add to cartRead more
Cooke Panchro Classic 100mm T2.8 PL PrimeModern remake of Cooke Vintage 5 lens prime 100mm/T2.8. £104/day£312/week Add to cartRead more
Cooke Mini UNCOATED S4i T2.8 40mm/T2.8Uncoated to encourage flare generation and softer look £89/day£267/week Add to cartRead more
VMI Open House Day 13 Sep – Book Now 24 August 2023 A lot has changed in 2023, so instead of waiting until December for our annual new products day, we are hosting an ‘Open House’ in September with lots of new … Read more
VMI SPONSORS CINEMATOGRAPHY 2023 AWARD AT PORTSMOUTH UNIVERSITY 23 July 2023 We never forget that we were all once students – even James Cameron and Martin Scorsese had to learn the art of film craft once! VMI are proud to have … Read more
Judgement Day – VMI Publishes Lens Comparison Videos 12 April 2023 FINALLY, THE FILMS ARE READY! In a break from tradition demos, VMI invited 40 camera department professionals to come and shoot their own tests across full frame lenses from Cooke, … Read more
Not Another Boring Lens Comparison Event Mar 7/8, Acton 2 March 2023 In a break from tradition demos, VMI would like camera department professionals to come and see some of our new FF lenses and help to create a ‘real world’ comparison … Read more
VMI New Products Day 6/7/8 Dec. Limited Availability 1 November 2022 *** FREE EVENT – LIMITED AVAILABILITY *** VMI’s biannual New Products Day is this week! This is a big deal for us, as we only host this once every 2 … Read more
Washing Away – Documenting London’s Last Launderettes In the hustle and bustle of modern life, doing laundry may seem like a mundane chore. Yet, within the walls of a launderette, it becomes a uniquely personal experience, performed … Read more
Dare the Unknown with the F55 in neon-lit Hong Kong Fashion brand Palladium wants you to ‘Dare the Unknown’ in a new promo featuring rule-breaking New York-based super model Jazzelle (Zanaughtti), London Grime artist Octavian and Arthur Bray, a Hong … Read more
The force is strong for Star Wars: Made GREAT in Britain Rogue One: A Star Wars Story was 2016’s top-grossing film at the UK box office, more than £1m ahead of its nearest competitor, Fantastic Beasts and Where to Find Them. … Read more
Is 4K or 6K Enough. Do we even need 8K or more? This article aims to explore that there are further considerations to make when considering the image size and CODEC, which means more data, more transfer time, more media resource and in post, more render time, ultimately costing production more money. However, there is also a sustainability argument which becomes relevant, since more data also means more energy usage and a greater carbon footprint.
Judgement Day – VMI Publishes Lens Comparison Videos In a break from tradition demos, VMI invited 40 camera department professionals to come and shoot their own tests across full frame lenses from Cooke, Gecko, Tribe and Sigma on either Sony Venice or ARRI Mini LF. No agendas. No hard selling. Just creative people doing what they do best.
The Creative and Technical Differences between Full Frame and S-35 Fully Updated Article, April 2023: To shoot Full-Frame or S-35? Are there really artistic reasons for shooting on FF? What are the advantages and what gear will I need?
Macro and Micro Cinematography We all love to see images of extreme magnification to show a world which we can’t experience with our own eyes but just like all cinematography, this is hard to do well. The choice right lens for the specific shot is key and this article aims to explain the differences between Close Up, Macro and Micro photography/cinematography and in particular, to introduce the cinematographer to a relatively recent new type of lens, which are called Nelsonian Lenses made by Infinity Photo-Optical and which use microscope techniques to create unique images which are not possible using traditional optics.
VMI Guide to Film Lenses Article introducing the differences between film lenses and explaining the terms and factors which distinguish them.
What it is like to shoot with Uncoated Lenses – Duncan Telford DoP DoP Duncan Telford shot a Weetabix commercial with Uncoated Cooke Mini S4s and describes in this article what it is like to shoot with uncoated lenses and how this look varies between different types of lenses