Is 4K or 6K Enough.  Do we even need 8K or more?

This article aims to explore that there are further considerations to make when considering the image size and CODEC, which means more data, more transfer time, more media resource and in post, more render time, ultimately costing production more money.  However, there is also a sustainability argument which becomes relevant, since more data also means more energy usage and a greater carbon footprint.

Judgement Day – VMI Publishes Lens Comparison Videos

In a break from tradition demos, VMI invited 40 camera department professionals to come and shoot their own tests across full frame lenses from Cooke, Gecko, Tribe and Sigma on either Sony Venice or ARRI Mini LF. No agendas. No hard selling. Just creative people doing what they do best.

Macro and Micro Cinematography

We all love to see images of extreme magnification to show a world which we can’t experience with our own eyes but just like all cinematography, this is hard to do well.
The choice right lens for the specific shot is key and this article aims to explain the differences between Close Up, Macro and Micro photography/cinematography and in particular, to introduce the cinematographer to a relatively recent new type of lens, which are called Nelsonian Lenses made by Infinity Photo-Optical and which use microscope techniques to create unique images which are not possible using traditional optics.

Leitz Summicron-C 40mm T2.0

VMI Guide to Film Lenses

Article introducing the differences between film lenses and explaining the terms and factors which distinguish them.

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