Zeiss Radiance Full-Frame PL T1.5 Prime Set (25-85mm/T1.5) 5-lens package (PL mount)Basic 5 lens Full Frame prime set £746/day£2,238/week Add to cartRead more
Zeiss Supreme Full-Frame PL T1.5 Prime Set (25-85mm/T1.5) 5-lens package (PL mount)Basic 5 lens Full Frame prime set £550/day£1,650/week Add to cartRead more
Sony 14mm/F1.8 Full Frame G-Master Prime (E Mount)Native E mount G-Master autofocus prime £46/day£138/week Add to cartRead more
Sony 135mm/F1.8 Full Frame G-Master Prime (E Mount)Native E mount G-Master autofocus prime £46/day£138/week Add to cartRead more
VMI Open House Day 13 Sep – Book Now 24 August 2023 A lot has changed in 2023, so instead of waiting until December for our annual new products day, we are hosting an ‘Open House’ in September with lots of new … Read more
VMI New Products Day 6/7/8 Dec. Limited Availability 1 November 2022 *** FREE EVENT – LIMITED AVAILABILITY *** VMI’s biannual New Products Day is this week! This is a big deal for us, as we only host this once every 2 … Read more
Account of VMI Anamorphic and Large Sensor Event in January 4 March 2019 VMI hosted an Anamorphic and Large Sensor event in late January at the newly opened CVP Creative Space in Newman Street Fitzrovia, an elegant new showroom over four floors. The three-day event was well … Read more
Linney has high speed food shoots licked with Ember In the world of food commercials you only have a limited time before the item you are photographing begins to lose its appetising freshness. “If a lettuce wilts or a … Read more
Shooting Anamorphic in Full Frame and S-35 Everyone appreciates the cinematic quality of shooting anamorphic. With the popularity of Full Frame, it made sense for VMI to make more options available for capturing in both anamorphic and Frame. This is a new article to explore these options.
The Creative and Technical Differences between Full Frame and S-35 Fully Updated Article, April 2023: To shoot Full-Frame or S-35? Are there really artistic reasons for shooting on FF? What are the advantages and what gear will I need?
Vintage Lenses are Still Cool To reflect that VMI’s wide range of vintage and vintage-look lenses, we have redefined the vintage category on our website to now includes 14 different types of sets of Vintage/Vintage-look … Read more
Mid-range cameras don’t mean compromise At VMI we’ve noticed a recent trend among filmmakers and wondered if you agree? We’ve spotted that a significant number of productions are ‘trading down’ from using traditional top of the range cine-cameras…
Anamorphic and Full Frame Lens Tests, including a 57 Video Playlist. Do you ever wonder what a Zeiss Supreme looks like next to a Zeiss Masterprime? or what about a Tokina Vista next to an ARRI Signature prime, or even how … Read more