Canon L USM Prime Set (20-85mm) EF MountCanon EF Prime lens set with EF Mount (autofocus) £127/day£381/week Add to cartRead more
Canon 8-15mm F4 L USM Fisheye zoomCanon EF 8-15mm/F4 Fisheye L USM Ultra-Wide Zoom Lens £53/day£159/week Add to cartRead more
Canon 100mm/F2.8L Macro IS USM Prime (RF Mount)Canon EF Prime macro lens with RF Mount (autofocus) £45/day£135/week Add to cartRead more
Canon L USM 14mm/F2.8 Prime (EF Mount)Canon EF EOS 14mm/F2.8 L II USM Prime £40/day£120/week Add to cartRead more
Canon L USM 135mm/F2.0 Prime (EF Mount)Canon EF Prime lens with EF Mount (autofocus) £40/day£120/week Add to cartRead more
Canon L USM 50mm/F1.2 Prime (EF Mount)Canon EF Prime lens with EF Mount (autofocus) £40/day£120/week Add to cartRead more
Canon 100mm/F2.8 L Macro IS USM Prime (EF Mount)Canon EF Prime macro lens with EF Mount (autofocus) £40/day£120/week Add to cartRead more
Canon 20mm/F2.8 L USM Prime (EF Mount)Canon EF Prime lens with EF Mount (autofocus) £40/day£120/week Add to cartRead more
Canon 24mm/F1.4 L USM Prime (EF Mount)Canon EF Prime lens with EF Mount (autofocus) £40/day£120/week Add to cartRead more
Canon L USM 35mm/F1.4 Prime (EF Mount)Canon EF Prime lens with EF Mount (autofocus) £40/day£120/week Add to cartRead more
Canon L USM 85mm/F1.2 Prime (EF Mount)Canon EF Prime lens with EF Mount (autofocus) £40/day£120/week Add to cartRead more
The Creative and Technical Differences between Full Frame and S-35 Fully Updated Article, April 2023: To shoot Full-Frame or S-35? Are there really artistic reasons for shooting on FF? What are the advantages and what gear will I need?
New generation of Auto Focus lenses now available with E and EF Mounts Auto Focus is here to stay and whilst this is not a panacea to force all focus-pullers to retrain, the increased adoption of Full Frame (which necessarily makes focussing more critical than S-35 or APSC formats) and the enhanced development of the technology, makes this functionality more useful and as a result, we are noticing an increased interest in it.
Macro and Micro Cinematography We all love to see images of extreme magnification to show a world which we can’t experience with our own eyes but just like all cinematography, this is hard to do well. The choice right lens for the specific shot is key and this article aims to explain the differences between Close Up, Macro and Micro photography/cinematography and in particular, to introduce the cinematographer to a relatively recent new type of lens, which are called Nelsonian Lenses made by Infinity Photo-Optical and which use microscope techniques to create unique images which are not possible using traditional optics.
Latest Canon EF lenses increase functionality of latest Canon 5D/C300 III/C500II cameras Canon’s autofocus technology has continued to improve and the latest dual pixel CMOS AF system is the most sophisticated ever, allowing smooth, high-performance focus tracking and face detection on the Canon C300 Mk II and C500 Mk II cameras.
VMI Guide to Film Lenses Article introducing the differences between film lenses and explaining the terms and factors which distinguish them.
The difference between the Phantom FLEX 4K and Phantom VEO 4K This is an article illustrating the differences between the Phantom FLEX 4K and Phantom VEO 4K and including essential Information about the Vision Research Phantom VEO 4K that you really need to know before your first production.