Camera kits

Sony PXW-FS5 Mk II 4K Camera / Sigma_Cine Zoom Pair (18-35mm & 50-100 T2 EF)

Shoot Kit 7EF- MB19/FF4/O'Connor 1030

  • Description
  • Rates & Accessories
  • Other Information

Sony FS-5 Mk II 4K large Sensor Camera with 4K record option and EF adapter and supplied with Wooden Camera Unified Accessory kit with 15mm bars system as standard.

Please read VMI’s article, "E-Mount Lenses - perfect for the Sony FS7"

Lenses

A pair of Sigma 18-35mm/T2 & Sigma 50-100/T2 Cine High-Speed Zoom Lenses incorporates native Canon EF mounts. 

Completely new design from the previous DSLR optical range with new optics, new mechanics and genuine film housing with clear focus scale marked in feet.

These are genuine film lenses with EF mounts, so are heavier than DSLR zooms but optically they are beautiful, don't breathe (zoom when focussing) and will hold focus when zooming.  They are heavier than the equivalent DSLR zooms though (1.45kg/3.19lb), so will need to use the lens support foot (supplied) as the EF mount won't support it without.

Read independent Imago review of Sigma Prime Lenses

It provides an image circle that covers Super 35mm-sized sensors and features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High Speed Zoom lineup, which makes for rapid lens changes.

The 9-bladed iris provides round out-of-focus highlights for a natural-looking bokeh. The lens barrel features 180° of rotation from close focus to infinity, and the zoom barrel rotates 160°, and the clickless iris ring features 60° of rotation. All three lens control rings are geared with cine-standard 0.8 Mod gears, and the focus scale is marked in feet. 
The front of the lens is 95mm in diameter with a removable 1/4"-20 support foot that helps support the lens with the aid of a 1/4"-20 rod-mounted lens support (supplied).

Colour Balance

All of the lenses in the lineup are designed to comply with SIGMA's CCI standard simplifying when intercutting between lenses.

Dust-Proof and Splash-Proof Design

Sharing the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM|Sports, each ring and mount is sealed to prevent water and dust from entering.

All Metal Body Construction

The lens body is made completely of metal to stand up to the rigors of the production day.

Lens Markings

The main lens markings are in luminous paint for easy visibility in low light situations. The intermediate markings are laser-engraved for durability. The focus and zoom markings are readable from either side of the lens.

Lens Front

The lens features a 95mm front diameter for compatibility with a wide variety of matte boxes and incorporates an 82mm front filter thread.

Lens Gears

All lens gears in the Sigma zoom range are standard 0.8 Mod and feature a damper that eliminates metallic sounds when you reach the end of the lens travel.

Sigma 18-35mm T2 Cine High-Speed Zoom Lens (Canon EF) 

  • T2 Consistent aperture over entire zoom range
  • Engineered for 4K with very high resolution, high contrast
  • Native Canon EF mount
  • Covers Super 35 Sensor Sizes
  • 9 Blade Iris for Attractive Bokeh
  • Weighs Only 1.45kg.
  • Consistent contrast, resolution and field illumination across the whole focus and zoom range
  • Compatible with all EF cameras and accessories
  • Colour-matched to existing prime and zoom lenses
  • High optical resolving power and optomechanical design to meet all 4K shooting requirements
    Significantly reduced ‘focus breathing’ means less distortion and more consistent shooting
  • 95mm front element.

Sigma 50-100mm T2 Cine High-Speed Zoom Lens (Canon EF) 

  • T2 Consistent aperture over entire zoom range
  • Engineered for 4K with very high resolution, high contrast
  • Native Canon EF mount
  • Covers Super 35 Sensor Sizes
  • 9 Blade Iris for Attractive Bokeh
  • Weighs Only 1.89.
  • Consistent contrast, resolution and field illumination across the whole focus and zoom range
  • Compatible with all EF cameras and accessories
  • Colour-matched to existing prime and zoom lenses
  • High optical resolving power and optomechanical design to meet all 4K shooting requirements
    Significantly reduced ‘focus breathing’ means less distortion and more consistent shooting
  • 95mm front element.

Supplied on a 3 day hire rate.

 

 

Guides

Everything you wanted to know about 4K but were too afraid to ask...

Do we adopt 4K now or wait for 8K?

The Case for and against 4K

Shooting with HD Video lenses on large sensor cameras

Large Sensor Cameras - Everything that you need to know

 

Recording Specification

Resolution Bit Depth Bit Rate (Mb/s) Codec FPS Dynamic Range * at base ISO
3840x2160 10Bit 100/60 XAVC-L (LongGOP) 25p, 1-25 14
1920x1080 10Bit 50/35 XAVC-L (LongGOP) 25p, 50p, 14
1920x1080 10Bit 50/35 XAVC-L (LongGOP) 50i 14
1280x720 10Bit 50 XAVC-L (LongGOP) 50p 14
1920x1080 8Bit 28 (PS) AVCHD 50p 14
1920x1080 8Bit 24 (FX) AVCHD 25p, 50i 14
17 (FH)
1920x1080 8Bit 24 (FX) AVCHD 50p 14
17 (FH)
9 (HQ)
1920x1080 10bit 50 XAVC-L (LongGOP) 100, 200, 400, 800 14

 

Specifications

WEIGHT

  • Approx. 0.8Kg (Body only)
  • Approx. 2.2Kb (with SELP18105G and lens hood, battery pack BP-U30, large eyecup, LCD viewfinder, handle, grip w/o grip belt)

DIMENSIONS

  • Approx. 111.3 x 128.7 x 172.4 mm (Body only including the projecting parts)

POWER REQUIREMENTS

  • DC 14.4V (battery pack)
  • DC 12.0V (AC adaptor)

POWER CONSUMPTION

  • [PAL model] Approx. 11.5W (while recording with LCD Off, EVF On when the external device connector is not used.)
  • [PAL model] Approx. 12.3W (while recording with LCD On, EVF On when the external device connector is used.)
  • [NTSC model] Approx. 11.8W (while recording with LCD Off, EVF On when the external device connector is not used.)
  • [NTSC model] Approx. 12.6W (while recording with LCD On, EVF On when the external device connector is used.)

OPERATING TEMPERATURE

  • 0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE

  • -20°C to +60°C (-4°F to +140°F)

BATTERY OPERATING TIME

  • With battery pack BP-U30: approx. 2 hours, 10 minutes (While recording with LCD On, EVF Off when the external device connector is not used.)
  • With battery pack BP-U60: approx. 4 hours, 20 minutes (While recording with LCD On, EVF Off when the external device connector is not used.)
  • With battery pack BP-U90: approx. 6 hours, 50 minutes (While recording with LCD On, EVF Off when the external device connector is not used.)

RECORDING FORMAT (VIDEO)

  • XAVC QFHD : MPEG-4 AVC/H.264 4:2:0 Long profile
  • XAVC HD : MPEG-4 AVC/H.264 4:2:2 Long profile
  • AVCHD : MPEG-4 AVC/H.264 AVCHD 2.0 format compatible

RECORDING FORMAT (AUDIO)

  • XAVC : Linear PCM 2ch, 24bit, 48kHz
  • AVCHD : Linear PCM 2ch, 16bit, 48kHz / Dolby Digital 2ch, 16bit, 48kHz

RECORDING FRAME RATE

  • XAVC QFHD (3840 x 2160) @29.97p, 25p, 23.98p 100Mbps/60Mbps
  • XAVC HD (1920 x 1080) @59.94p, 50p, 50Mbps/35Mbps
  • XAVC HD (1920 x 1080)@59.94i, 50i, 50Mbps/35Mbps/25Mbps
  • XAVC HD (1920 x 1080)@29.97p, 25p, 23.98p, 50Mbps/35Mbps
  • XAVC HD (1280 x 720)@59.94p, 50p, 50Mbps
  • AVCHD (1920 x 1080)@59.94p, 50p, PS mode(28Mbps)
  • AVCHD (1920 x 1080) @59.94i/50i/29.97p/25p/23.98p,
  • FX mode (24Mbps)
  • FH mode(17Mbps)
  • AVCHD (1280 x 720)@59.94p, 50p,
  • FX mode(24Mbps)
  • FH mode(17Mbps)
  • HQ mode(9Mbps)

RECORDING PLAYBACK TIME

  • XAVC-L QFHD 100 mode - Approx. 65 min with 64 GB memory card
  • XAVC-L QFHD 60 mode - Approx. 100 min with 64 GB memory card
  • XAVC-L HD 50 mode - Approx. 120 min with 64 GB memory card
  • XAVC-L HD 35 mode - Approx. 170 min with 64 GB memory card
  • XAVC-L HD 25 mode - Approx. 220 min with 64 GB memory card
  • AVCHD@LPCM 2ch PS Mode - Approx. 290 min with 64 GB memory card & Approx. 145 min with 32 GB memory card
  • AVCHD@LPCM 2ch FX Mode - Approx. 340 min with 64 GB memory card & Approx. 170 min with 32 GB memory card
  • AVCHD@LPCM 2ch FH Mode - Approx. 450 min with 64 GB memory card & Approx. 225 min with 32 GB memory card
  • AVCHD@LPCM 2ch HQ Mode - Approx. 590 min with 64 GB memory card & Approx. 290 min with 32 GB memory card

IMAGINE DEVICE (TYPE)

  • "Exmor" Super35 CMOS Sensor

EFFECTIVE PICTURE ELEMENTS

  • 16:9 - 3840 (H) x 2160 (V)

BUILT-IN OPTICAL FILTERS

  • Clear, 1/4ND, 1/16ND, 1/64ND, Linear Variable (1/4ND to 1/128ND)

ISO SENSITIVITY

  • S-Log3 Gamma ISO3200

MINIMUM ILLUMINATION

  • 0.16Lux [60i] (IRIS F1.4, GAIN Auto, Shutter Speed 1/24)
  • 0.18Lux [50i] (IRIS F1.4, GAIN Auto, Shutter Speed 1/25)

SHUTTER SPEED

  • 1/8 to 1/10000 sec. (60i)
  • 1/6 to 1/10000 sec. (50i/24p)

SLOW AND QUICK MOTION FUNCTION

  • [30p]:2160p: Frame rate selectable - 1 / 2 / 4 / 8 / 15 / 30 fps
  • [25p]:2160p: Frame rate selectable 1 / 2 / 3 / 6 / 12 / 25 fps
  • [60i]:1080p: Frame rate selectable 1 / 2 / 4 / 8 / 15 / 30 / 60 fps
  • [50i]: 1080p: Frame rate selectable 1 / 2 / 3 / 6 / 12 / 25 / 50 fps

SUPER SLOW MOTION FUNCTION

  • [60i] Frame rate selectable 120 / 240 / 480 / 960 fps
  • [50i] Frame rate selectable 100 / 200 / 400 / 800 fps

WHITE BALANCE

  • Preset / Memory A / Memory B (1500K – 50000K) / ATW

GAIN

  • 0, 3, 6, 9, 12, 15, 18, 24, 27, 30 dB,AGC

GAMMA CURVE

  • STD, Cinegamma, ITU709, S-Log2, S-Log3

AUDIO INPUT

  • XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable

SDI OUTPUT

  • BNC type (x1), SD/HD/3G(Level-B) selectable
  • SMTPE 259M/292M/424M/425M standards

USB

  • Multi/Micro USB jack (x1)

HEADPHONE OUTPUT

  • Stereo mini mini jack (x1)

SPEAKER OUTPUT

  • Monaural

DC INPUT

  • DC jack

REMOTE

  • Stereo mini-minijack (Φ2.5 mm)

HDMI OUTPUT

  • Type A (x1)

BUILT-IN LCD MONITOR

  • 8.8cm (3.5 type) Approx. 1.56M dots

BUILT-IN MICROPHONE

  • Omni-directional stereo electret condenser microphone

MEDIA TYPE

  • XQD card slot (x2)
  • SD card slot (x1) for saving configuration data

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