- About VMI
- Facilities
- Useful Info
- Sachtler Video 20s now include latest Flowtech 100 legs
- Sigma Cine Primes and Zooms - all you need to know
- Canon Sumire Primes - the first Canon lenses designed with character
- Is the Canon C500 Mk II any good?
- Full Frame and S-35 - Creative and Technical Differences
- Successful Sigma Lens Day on 13 February 2020 at VMI
- Using Lens Extension Tubes reduces the minimum focus distance of lenses
- Ronin & MōVI Gimbals – all you need to know
- Wireless Lens Control Systems – all you need to know
- VMI Guide to Film Lenses
- Filmmaker's Guide to Sensor Sizes and Lens Formats
- Panasonic EVA1 now permits external 5.7K RAW record to external recorders
- Slow Motion - What you REALLY need to know
- The difference between the Phantom FLEX 4K and Phantom VEO 4K
- Capturing Wildlife in Super Low-light - all you need to know
- E-Mount Lenses - perfect for the Sony FS7
- Capturing 2:1 Anamorphic with Alexa LF and S-35 lenses
- Netflix Approved 4K cameras
- Improve Phantom VEO 4K workflow by using 10Gbit network port
- Lens Coverage and Camera Comparison Tool
- How Infrared light affects Cinematography
- 2016 revised IATA Guidelines on air transport of Lithium-ion batteries
- Sony F5 and FS7 - which is better?
- VMI Guide to Lighting
- Best Practice for avoiding Data Loss and strategies to fix if you do
- Easyrig - all you need to know
- An Ideal Marriage - How to build a kit hire relationship that lasts
- Wanted: Thinkers outside the box - VMI's Internship Program
- Anamorphic and Full Frame lens Tests
- The Canon C300 Mk II vs C300 - What's the fuss about?
- Alexa Mini or Amira - which should I choose?
- Get More from your Production Budget
- Stuff that you didn't know you needed
- HDR reality and monitoring - a DOP's Perspective
- 2016 Anamorphic Prime Lens Chart
- HDR SURVIVAL GUIDE
- PLEASE HELP STOP EQUIPMENT THEFT
- 12 bit RAW capture ARRI, Panasonic, Sony, Canon and other cameras using Odyssey 7Q RAW Recorder
- Camera Comparison Chart
- Film Zoom Lens Comparison Chart
- More Lenses are Coming...
- Guide: How to Shoot Bullet Time
- Do we adopt 4K now or wait for 8K?
- Shooting with Uncoated Lenses
- PMW-F5/F55 Version 3 Upgrade
- Shoot the best quality 200fps available using Odyssey 7Q and Sony FS 700/C500
- What is the collective term for tripod tubes?
- Shooting with HD Video lenses on large sensor cameras.
- Canon C300 Tutorials
- ARRI Amira
- UNCOATED lenses - what you need to know
- ARRI Alexa, all you need to know about the Alexa range of cameras
- The Case for 4K - Pros and Cons
- Sony FS-700 4K slow motion with RAW to 240fps/120fps
- Producer’s guide to the pros and cons of shooting in 4K
- Why are Zeiss MasterPrimes so Good?
- The VMI Guide to Easy Streaming
- Low Energy Lighting
- Types of Prores Codecs
- Everything that you wanted to know about Large Sensor Cameras but were too afraid to ask!
- RED EPIC vs RED Scarlet - What you need to know!
- iPhone_App
- The Aesthetics of Digital Cinema vs. Film
- Solid State HD Recorders
- DSLR Production
- Shallow Depth of Field good for streaming
- Non-linear workflows
- Useful RED Links
- P2 and AVCCAM Links
- H.264 and Why is AVC Intra is so good!
- RED M-X Guide
- Useful RED Information
- The Film Look on a Budget
- HD and Film Lenses
- VMI Guide to Tapeless Acquisition & Workflow
- Choosing a Digital Format
- DVCPro HD
- Whether to use P2 or not over XDCAM HD
- P2: Everything you ever wanted to know about P2… but were too afraid to ask!
- HDCAM
- XDCAM-HD
- XDCAM-EX, what you really need to know!
- XDCAM Useful Links
- Consultancy & Training
- Useful Links
- Training
- Case Studies
- Credits
- Rate card
- Contact Details
- Login
- Register
-
My Shoot Kit
Your cart is empty...
X £/day£/weekMore details £/day£/week
Quick Links
Camera kits
Follow us
Archived News
Older News from VMI and all around the broadcast industry.
VMI help to set up UK's first Apprenticeship Standard for Camera Technicians
About 18 months ago, VMI Managing Director, Barry Bassett, first contacted the TV Industry body, ScreenSkills in order to investigate whether it...
Date: 2020-01-16 13:23:16
VMI Is Recruiting
We have 2 posts that we are looking to fill immediately both on the rental desk and camera floor. Do you have what it takes to join the...
Date: 2020-01-02 13:51:45
2019 VMI Annual Client Survey - Best Ever Results
The latest annual VMI client survey had the best results of all time achieving a client satisfaction score of 4.7 out of 5 for the 5th year in a...
Date: 2019-12-04 11:27:36
VMI is a finalist in two categories of West London Business Awards
VMI is a finalist in two categories of the 7th annual West London Business Awards, for "Creative/Media Business of the...
Date: 2019-11-25 14:16:10
VMI's Green Credentials in the news
VMI takes its social responsibility very seriously and has initiated many strategies to reduce its impact on the environment and even won...
Date: 2019-09-28 09:40:11
VMI Sponsors First Prize of Cine Circle Film Festival
VMI sponsored the 2019 Cine Circle Film Festival, a relatively new film festival designed to encourage recognition for new film...
Date: 2019-09-27 15:36:17
We did it! Superheroes raised £27K to make world landmine-free
8 riders calling themselves, "The Superheroes" raised £25,000 for
Date: 2019-07-15 09:00:23
VMI receives accreditation of Living Wage Employer Status
VMI has received formal recognition of its status as a fully accredited Living Wage Employer.
This is the only UK wage rate based on...
Date: 2019-06-11 07:24:29
VMI Bans Single-use Plastic
VMI has taken great strides to reduce its impact on the environment and continues to do so, going forward, wherever and whenever possible with a...
Date: 2019-06-05 08:39:37
