Your Compact Solution for High-Speed Filming Cameras, Super Slow Motion Traditional super slow-motion cameras have long been vital tools for high-end commercial, natural history, and narrative productions. However, they have historically come with significant operational trade-offs: massive physical footprints, heavy … Read more
Ana-more-phic, Navigating Full Frame Anamorphics Cinematography, Lenses Pairing a full-frame sensor with dedicated full-frame anamorphic glass allows cinematographers to utilise their camera’s full resolution without wasting sensor area or cropping away valuable field of view. The visual … Read more
Scorpios Offer the Ultimate Hybrid Look Cinematography, Lenses “Incredibly clean. They (Scorpio FFAs) have very little distortion and they’re Full Frame anamorphics.” Paul Cameron ASC By smudging the lines between anamorphic and spherical, manufacturers ServiceVision have created a … Read more
Why the Cinetech Super Falcon II Has Become a Go-To Dolly Grip Need a dolly? Got budget constraints, but can’t afford to compromise? We have a fleet of multiple owned Cinetech Super Falcon IIs, which we can add on to camera packages … Read more