Credits

Based in London and Bristol (UK) and established in 1979, VMI specialises in hiring quality digital camera packages for Features, Drama, Documentary, Natural History, Commercials, Promos and Corporate TV productions.

The Guest

  • Director: Ashley Way
  • Cinematographer: Richard Stoddard
  • Equipment Supplied: ARRI ALEXA 35, Canon K35 Lenses
  • Production Company: Quay Street Productions

007: Road to a Million series 2

  • Cinematographer: Jon McGrath
  • Equipment Supplied: Multi RED Gemini and Komodo X cameras with Atlas Orion Anamorphics and a Ronin 4D
  • Production Company: 72 Films

Chelsea Detective

  • Cinematographer: Pete Rowe
  • Equipment Supplied: ARRI ALEXA MINI, Cooke SF Lenses
  • Production Company: Expectation TV

Peaked

  • Director: John Addis
  • Cinematographer: Frank Madone
  • Equipment Supplied: ARRI ALEXA Mini LF
  • Production Company: Boffola Pictures

Amandaland

  • Director: Alyssa McClelland
  • Cinematographer: Matt Wicks
  • Equipment Supplied: Sony Venice, Cooke FF Panchros
  • Production Company: Merman

D.I. Ray

  • Director: Nirpal Boghal, Nicole Volvaka
  • Cinematographer: Adam Lyons
  • Equipment Supplied: ARRI ALEXA Mini LF, Cooke FF Panchros
  • Production Company: HTM

The Battle To Beat Malaria

  • Director: Cat Gale
  • Cinematographer: Robert Hollingworth
  • Equipment Supplied: Phantom VEO 4K, RED V-Raptor, InfiniProbe TS-160
  • Production Company: Wingspan Productions, HHMI Tangled Bank Studios, and ARTE France, in association with BBC and NOVA/GBH.

A Real Bug’s Life

  • Equipment Supplied: Phantom VEO 4K, RED Gemini, Infiniprobe TS 160
  • Production Company: Plimsoll Productions for National Geographic

Cheaters

  • Director: Elliot Hegarty
  • Cinematographer: Karl Oskarsson
  • Equipment Supplied: ARRI ALEXA Mini LF, Tribe7 Blackwing T-Tuned
  • Production Company: BBC Studios, Clerkenwell Films

Winnie the Pooh: Blood and Honey

  • Director: Rhys Frake-Waterfield
  • Cinematographer: Vince Knight
  • Equipment Supplied: Zeiss Uncoated Superspeeds, DJI Ronin 2
  • Production Company: Jagged Edge Productions

Laura Kuenssberg: State of Chaos

  • Director: Daisy Ayliffe, Max Stern, Sarah MacFarlane
  • Equipment Supplied: Sony FX6, Sony G Master Primes
  • Production Company: October Films for BBC2
Super Natural

Super/Natural

  • Equipment Supplied: Phantom VEO 4k, RED Gemini, RED Helium, Canon CN20, Laowa Probes, Infini-Probe TS-160
  • Production Company: Plimsoll Productions for Disney +

Tiny World

  • Equipment Supplied: Phantom VEO 4k, RED Gemini, RED Helium, Laowa Probes, Infini-Probe TS-160
  • Production Company: Plimsoll Productions for Apple TV

Earth At Night In Colour

  • Cinematographer: Mark Payne Gill
  • Equipment Supplied: Canon ME20F-SH (Super Low-Light)
  • Production Company: Offspring Productions for Apple TV

Deep Heat

  • Director: Matt Lipsey
  • Cinematographer: Sarah Bartles-Smith
  • Equipment Supplied: Sony Venice, Cooke S4
  • Production Company: Slam Films

Endeavour 9

  • Director: Shaun Evans, Nirpal Bhogal, Kate Saxon
  • Cinematographer: James Moss, Adam Lyons
  • Equipment Supplied: ARRI ALEXA Mini Cooke S4, Cooke Uncoated Mini S4
  • Production Company: Mammoth Screen

Brassic 4

  • Director: Richard Stoddard
  • Cinematographer: Alex Veitch
  • Equipment Supplied: Sony Venice, Cooke SF Anamorphic 2x
  • Production Company: Brassic Universe

Marriage

  • Director: Stefan Golaszewski
  • Cinematographer: Ali Asad
  • Equipment Supplied: ARRI ALEXA Mini, Cooke S4
  • Production Company: The Forge

Man Vs Bee

  • Director: David Kerr
  • Cinematographer: Karl Oskarsson
  • Equipment Supplied: ARRI ALEXA Mini LF, Zeiss Radiance Supremes
  • Production Company: Netflix

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