Thanks guys, just wanted to check in and say the lenses and cameras are lovely and doing what we need. Apple are over the moon with it all so that’s good. Thanks again for all your support. Frank Madone, DP 2021 BAFTA Nominee | | Nov 2022
Have to say we have all been very impressed with not only the kit but the service offered by VMI. The DP was delighted – which is always a good thing- and I have a feeling that We’ll be back in touch for the next block of Silent Witness. Chris Alexander, BBC | | Sep 22
Just wanted to say a big big thank you for supporting us on Hapless2! Everything went really well and we wrapped on time (and I think on budget). Your equipment and support was invaluable in enabling Hapless2 to happen at the high production value level that we wanted, so thank you so much. Luke Palmer | DP | May 22
Tracking the shots on Midsomer Murders… with Ronin 4D Large Sensor Cinematography You’d be forgiven for thinking that time moves rather slowly in the rural villages of Midsomer, but behind the scenes technology has not stood still. For the evergreen ITV crime drama’s … Read more
Apple TV’s Earth At Night In Colour Natural History Natural History DP, Mark Payne Gill shoots a series entitled Earth At Night In Colour using Astrograph lenses and Canon ME20 with 4m ASA in order to shoot entire episodes being lit just by the moon.
Area 51 Incident delivers horror thrills from the Abyss Large Sensor Cinematography Horror fans will devour Area 51 Incident. The new movie from genre specialists Dark Abyss Productions imagines an alien species landing on earth to make it their new home and to commit … Read more
The not so Hapless production story behind the new Netflix sitcom Large Sensor Cinematography The new comedy series Hapless which landed on Netflix this month will have viewers unaware of its extraordinary journey to the screen. The British sitcom starring Tim Downie (The King’s … Read more