Have to say we have all been very impressed with not only the kit but the service offered by VMI. The DP was delighted – which is always a good thing- and I have a feeling that We’ll be back in touch for the next block of Silent Witness. Chris Alexander, BBC | | Sep 22
Just wanted to say a big big thank you for supporting us on Hapless2! Everything went really well and we wrapped on time (and I think on budget). Your equipment and support was invaluable in enabling Hapless2 to happen at the high production value level that we wanted, so thank you so much. Luke Palmer | DP | May 22
Thank you very much for providing kit for today’s shoot. Love using VMI, always on point and so helpful with deliveries and everything else. Much appreciated. Luke Wolagiewicz | DP | Feb 22
Apple TV’s Earth At Night In Colour Natural History Natural History DP, Mark Payne Gill shoots a series entitled Earth At Night In Colour using Astrograph lenses and Canon ME20 with 4m ASA in order to shoot entire episodes being lit just by the moon.
Area 51 Incident delivers horror thrills from the Abyss Large Sensor Cinematography Horror fans will devour Area 51 Incident. The new movie from genre specialists Dark Abyss Productions imagines an alien species landing on earth to make it their new home and to commit … Read more
The not so Hapless production story behind the new Netflix sitcom Large Sensor Cinematography The new comedy series Hapless which landed on Netflix this month will have viewers unaware of its extraordinary journey to the screen. The British sitcom starring Tim Downie (The King’s … Read more
The grade: Core Post’s Matt Brown on Brassic 3 Large Sensor Cinematography Core Post’s Matt Brown on the HDR grade and key scenes in the third season of Sky Original, Brassic Brassic is a comedy series set in North West of England, which … Read more