Blog / Resources / Lenses 2016 Anamorphic Prime Lens Chart Lenses Compiled by Tom Fletcher and Gary Adcock with information gathered from numerous conversations with various cinematographers, colorists, colleagues and manufacturers and reproduced with kind permission from Tom Fletcher. Click on the chart to open the high resolution PDF. Related articles VMI is Infinity’s Prime UK Rental House Lenses VMI has a long-standing relationship with Infinity Photo-Optical who makes the Infiniprobe TS160 probe lenses. Barry Bassett, VMI’s Managing Director, has been recognised as being their ‘Nelsonian Award’ winner back … Read more New generation of Auto Focus lenses now available with E and EF Mounts Lenses Auto Focus is here to stay and whilst this is not a panacea to force all focus-pullers to retrain, the increased adoption of Full Frame (which necessarily makes focussing more critical than S-35 or APSC formats) and the enhanced development of the technology, makes this functionality more useful and as a result, we are noticing an increased interest in it. What real world Cinematographers think about using Infiniprobe lenses Cinematography, Lenses The Digital Cinema Society presents an exploration of Micro/Macro cinematography with three DPs including Bill Bennett, ASC, James Mathers, and Cameron Cannon. The trio photograph a variety of shots in order to evaluate these exceptional lenses and also share their insights in behind-the-scenes coverage.
VMI is Infinity’s Prime UK Rental House Lenses VMI has a long-standing relationship with Infinity Photo-Optical who makes the Infiniprobe TS160 probe lenses. Barry Bassett, VMI’s Managing Director, has been recognised as being their ‘Nelsonian Award’ winner back … Read more
New generation of Auto Focus lenses now available with E and EF Mounts Lenses Auto Focus is here to stay and whilst this is not a panacea to force all focus-pullers to retrain, the increased adoption of Full Frame (which necessarily makes focussing more critical than S-35 or APSC formats) and the enhanced development of the technology, makes this functionality more useful and as a result, we are noticing an increased interest in it.
What real world Cinematographers think about using Infiniprobe lenses Cinematography, Lenses The Digital Cinema Society presents an exploration of Micro/Macro cinematography with three DPs including Bill Bennett, ASC, James Mathers, and Cameron Cannon. The trio photograph a variety of shots in order to evaluate these exceptional lenses and also share their insights in behind-the-scenes coverage.