Blog / Resources / Lenses An account of a successful Sigma Lens Day held on 13 February 2020 at VMI Lenses VMI held a Sigma lens day on 13 February 2020 in London. The intention was to show the differences between the Sigma Cine Primes and the new Sigma Classic Primes, which display a lot of character and flare easily. Interestingly, the new Sigma film lenses transfer Cooke/i data and all lens data is captured and can be seen on the display of compatible cameras. We also compared Masterprimes next to the Sigma Cine primes, which compared very favourably and also Cooke Mini S4i and Sigma Cine primes next to Sigma Classic primes using the same camera and iris settings. See video clips at the bottom of this page. Below is a comparison clip of a Sigma Cine Prime compared with a Sigma Classic Prime. Both are 50mm and Full-Frame image size. Both are at matched T2.8 shot on Canon C500 Mk II cameras. It is clear to see how clean the Sigma Cine prime is, even when a spot light is shined directly into the lens, in contrast to the Sigma Classic Prime which flares easily. Below is a comparison clip of a Cooke Mini S4 uncoated lens vs Sigma Classic Prime. Both are 50mm and cropped to S-35 image size. Both are at matched T2.8. As in the above example, the Classic Prime flares very easily. Both shots were made with the Canon C500 Mk II cameras in default configuration at matched settings and matched image sizes at VMI, London on 13 February 2020. Related articles Ana-more-phic, Navigating Full Frame Anamorphics Cinematography, Lenses Pairing a full-frame sensor with dedicated full-frame anamorphic glass allows cinematographers to utilise their camera’s full resolution without wasting sensor area or cropping away valuable field of view. The visual … Read more Scorpios Offer the Ultimate Hybrid Look Cinematography, Lenses “Incredibly clean. They (Scorpio FFAs) have very little distortion and they’re Full Frame anamorphics.” Paul Cameron ASC By smudging the lines between anamorphic and spherical, manufacturers ServiceVision have created a … Read more Braving the Bloom of Canon V35s, a Conversation with Robin Fox Cinematography, Lenses, Lighting DOP Robin Fox has shot documentaries, commercials, and last year his first feature film. The project was for the Wilkinson Sword and Atlassian Williams F1 Team’s “Partners in Smooth” campaign, … Read more
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