Blog / Resources / Cinematography What real world Cinematographers think about using Infiniprobe lenses Cinematography, Lenses DCS Video of 3 Cinematographers’ experience of using Infinity Photo-Optical Lenses The Digital Cinema Society presents an exploration of Micro/Macro cinematography with three DPs including Bill Bennett, ASC, James Mathers, and Cameron Cannon. The trio photograph a variety of shots in order to evaluate the technology which includes not only the Infinity Photo-Optical Nelsonian lenses, but also the SiSu Robotic Camera Arm, the Canon C500 MkII, and HMIs lighting, which was provided by K5600. The cinematographers share their insights in behind-the-scenes coverage from the tests that were shot at The Camera Division in North Hollywood, CA. Related articles Ana-more-phic, Navigating Full Frame Anamorphics Cinematography, Lenses Pairing a full-frame sensor with dedicated full-frame anamorphic glass allows cinematographers to utilise their camera’s full resolution without wasting sensor area or cropping away valuable field of view. The visual … Read more Scorpios Offer the Ultimate Hybrid Look Cinematography, Lenses “Incredibly clean. They (Scorpio FFAs) have very little distortion and they’re Full Frame anamorphics.” Paul Cameron ASC By smudging the lines between anamorphic and spherical, manufacturers ServiceVision have created a … Read more Braving the Bloom of Canon V35s, a Conversation with Robin Fox Cinematography, Lenses, Lighting DOP Robin Fox has shot documentaries, commercials, and last year his first feature film. The project was for the Wilkinson Sword and Atlassian Williams F1 Team’s “Partners in Smooth” campaign, … Read more
Ana-more-phic, Navigating Full Frame Anamorphics Cinematography, Lenses Pairing a full-frame sensor with dedicated full-frame anamorphic glass allows cinematographers to utilise their camera’s full resolution without wasting sensor area or cropping away valuable field of view. The visual … Read more
Scorpios Offer the Ultimate Hybrid Look Cinematography, Lenses “Incredibly clean. They (Scorpio FFAs) have very little distortion and they’re Full Frame anamorphics.” Paul Cameron ASC By smudging the lines between anamorphic and spherical, manufacturers ServiceVision have created a … Read more
Braving the Bloom of Canon V35s, a Conversation with Robin Fox Cinematography, Lenses, Lighting DOP Robin Fox has shot documentaries, commercials, and last year his first feature film. The project was for the Wilkinson Sword and Atlassian Williams F1 Team’s “Partners in Smooth” campaign, … Read more