Canon C300 Mk II (PL Mount) 4K Camcorder

4K capture with S35 sensor


The Canon C300 Mk II is a Super-35, full 4K camcorder and this PL mount has an EOS option and offers fully automatic operation including an effective autofocus (subject to being used with suitable lenses).  It recordson board 4K/Full HD video with HDR and Canon Log2 of the new REC 2020 colour gamut.



PL Mount

Sensor Size/Coverage


Media Standard

CFast 2.0

Capture Resolution

4K, HD

This is a very worthy successor to the incredibly popular Canon C300 in PL mount.

It may look like the original C300 but it has been completely redesigned and is built around a brand new 8.85mp Super 35mm CMOS Sensor.  Canon are quoting 15 stops of dynamic range and the system is capable of recording incredible 10 bit 4K images on CFast 2 cards at up to 410Mbps/10-bit with the Canon XF-AVC H.264 codec for easy 4K integration into existing workflows.

It offers fully automatic operation including an effective autofocus (subject to being used with suitable lenses) and is capable of internal capture of stunning 4K / Full HD video with a wide dynamic range, external RAW output and Canon Log2 to shoot a high dynamic range (HDR) of the new REC 2020 colour gamut and DCI-P3 colour space.

For almost universal compatibility to existing post production system, the C300 Mk II records 4K images to the XF AVC Codec, which is an H.264 format wrapped in the widely-supported MXF wrapper.

You can even simultaneously record 4K to dual internal CFast 2 cards, 2K/FHD proxy files to SD card and output 4K RAW to external devices.

Interchangeable Mount – Compatibility with all lenses

The original C300 was supplied in either EF or PL configurations but the new Canon C300 Mk II goes one better by making the lens mount interchangeable (VMI Workshop service only).  This means that you have a choice compatibility not only with Canon’s existing broad range of DSLR lenses and EF-mount CN-E cinema prime and zoom lenses but also (with suitable lens adapters), also Nikon ZF and other DSLR lenses too.  The PL mount permits conventional film zoom and prime lenses to be used and B4 mount adapters available from VMI also permit the full choice of electronic HD zooms and Primes as well.

Colour performance improved with new sensor and DIGIC DV 5 Image Processor

Canon’s newly developed sensor captures in a Super 35 format (24.4 x 13.5mm) and features 4096 x 2160 resolution to deliver Cine 4K images, as well as supporting Ultra HD (3840 x 2160), and Full HD (1920 x 1080).  The DIGIC DV 5 image processor improves colour performance considerably, assisting the wide on a level that would otherwise require three separate chips. The camera records up to. For more flexibility to adjust your image during postproduction, the camera also offers Canon’s Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and an expanded dynamic range.

Modular Construction

The EOS C300 Mk II body is compact and easily handheld at just over 1.4kg (3 lb). The body has a modular design that can either be stripped down completely or be built up using the included handle, 4″ rotating LCD unit with full controls, grip, and thumb rest – useful if being used in a lightweight Gimbal type configuration.

The LCD is built into the removable audio module and the integral high resolution (0.46″), 1.17 Megapixel colour EVF has a 60 degree tilt adjustment too. It has a contrast ratio of 5000:1 vs 270:1 on the original C300. This should make it very usable when handholding the camera without a support rig.

There is a bright 1.55 Megapixel electronic viewfinder, and the camera comes bundled with a removable combination 4″, 1.23 Megapixel monitor and control panel. The camera also has a removable handgrip with a control dial and function buttons for handheld shooting in DSLR style, or remove it and use the supplied thumb rest for completely stripped-down shooting.

Built-in NDs

The EOS C300 Mk II has a manually operated built-in neutral density (ND) glass filter offering 1/4, 1/16, and 1/64th steps of filtering. Handheld or using a tripod, on location or in the studio, even on 3-D rigs, the EOS C300 fits shooting situations that are challenging for larger cameras.

The camcorder features two 3G-SDI outputs, timecode I/O, and genlock input BNCs.

Autofocus that really works (AKA Dual Pixel CMOS AF Technology)

The C300 Mk II amazingly provides continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature works well and is practical for location shooting, as it doesn’t hunt.   This may even work with Canon electronic HD zooms and Canon film zoom lenses which feature integral servo focus modules (To be tested).

Canon explain why this autofocus is so good with the paragraph below.  We just know that it seems to work well!

Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses – including newer-generation STM lenses – which offer even smoother and quieter operation

Ergonomonic control layout

A logical layout of buttons and dials make operation simple. A lock switch turns off all controls except the recording button and function buttons. Small ridges between the buttons help prevent activating functions by mistake. A backlit display panel is great for low-light viewing. A tally lamp is clearly visible from the side or behind the camera.

Rugged, Durable & Quiet

The EOS C300 Mk II’s dust-proof and splash-proof design includes sealing gaskets around the edges of all access covers, dials fitted with O-rings on the axis of rotation, and button key-tops sealed with rubber. The EOS C300 also features a built-in silent cooling system with a heat-dissipating duct in the centre of the body, a graphite sheet that conducts sensor heat towards the heat sink, three ventilation holes, and a cooling fan that pulls hot air out through an exhaust opening. All air is directed through a discrete pathway that keeps dust particles away from sensitive components. Your camera runs cool, quiet, and clean.

Good Audio Controls

The removable audio module provides two XLR audio inputs with +48V phantom power. A 3.5mm microphone terminal is also built in to the camera. Audio is recorded uncompressed in 16-bit PCM format at 48 kHz for high fidelity sound. Both XLR inputs, as well as the mic terminal have the option for automatic, as well as full manual gain control (-Infinity to +18dB). Additionally, a 3.5mm headphone terminal with 16 volume settings offers accurate audio monitoring.   The audio module also holds the LCD monitor, which can be repositioned in a variety of places to suit the operator.

CF Memory Card Recording

The camera records to CFast 2 cards through two slots.

High-Speed, Slow-Motion, Time-Lapse & Stop-Motion

Beyond the advantages of file-based recording, the camera offers a number of creative possibilities in post-production including Slow & Fast motion.  (max. 120 fps supported), frame recording, pre-recording, interval recording

Full Manual Control & Focusing Aids

The camera has a Waveform Monitor (WFM) function that shows the overall brightness of a scene, with RGB Parade Display to view red, green, and blue brightness or Spot Display to isolate the luminance distribution of a chosen area. The Vectorscope (VS) display shows real-time hue and saturation levels. For sharp focus, EOS C300 Mk II camera has two peaking modes and a magnified focus assist function. An Edge Monitor Focus Assist provides both a waveform representing the overall degree of focus and a red waveform that represents focus in three specific areas displayed on the camera’s 4″ LCD monitor. To maintain proper highlight exposure, it offers a zebra bar feature as well.

Compatible Memory Cards

Sensor Super35mm type CMOS
System RGB primary colour filter (Bayer array)
Total pixels per sensor 9.84 megapixels
Effective pixels per sensor Approx. 8.85 megapixels when 4096 x 2160 / 2048 x 1080 resolution selected
Effective pixels per sensor Approx.8.29 megapixels when 3840 x 2160 or 1920 x 1080 resolution selected
Minimum illumination 59.94 Hz Mode** Lux [F1.2 lens, 24 dB, PF59.94 mode, shutter speed 1/**]
Minimum illumination 50 Hz Mode** Lux [F1.2 lens, 54 dB, PF50, shutter speed 1/**]
Sensitivity 59.94 Hz Mode F*[1920 x 1080 / 59.94i, ISO*** (*dB), 2000 Lux, 89.9 % reflection]
Sensitivity 50 Hz Mode: F** [1920 x 1080 / 50.00i, ISO*** (*dB), 2000 Lux, 89.9 % reflection]
S/N Ratio 59.94 Hz Mode **dB (Typical) [4096 x 2160 / PF29.97, Canon Log base sensitivity ISO 850 (Dynamic range 800 %)]
S/N Ratio 5 0Hz Mode: 54 dB (Typical) [1920 x 1080 / PF25, Canon Log base sensitivity ISO 850 (Dynamic range 800 %)]
Dynamic Range With Canon Log gamma: 800 %, With Canon Log2 Gamma 1600 % (ISO 850 or above / gain 2.5 dB or more)
Horizontal Resolution Up to 1800 TV lines or more depends on shooting resolution and on lens used.
Lens Mount Canon EF Mount. EF with Cinema Lock or PL mount available (optional upgrade)
Focal length adjustment 3840 x 2160 or 1920 x 1080 resolution: Actual focal length x approx. 1.53
Focal length adjustment 4096 x 2160 or 2048 x 1080 resolution: Actual focal length x approx. 1.46
As indicated for EF-S lenses and Canon cine zoom lenses
Peripheral illumination correction YES (dependent on lens used)
ND filter 6 glass filters in camera body: 2 stops; 4 stops; 6 stops,8 stops,10 stops¹. Operate via body,
wireless control or via RC-V100 Remote Control Unit.
Focus control Via lens, wireless control or wired remote (dependent on lens used) One shot AF with
EF Lenses including Cine Servo lens range². (Not available with Manual Focus, CINEMA Zoom or Prime lenses).
Iris control Via body, grip, wireless control or wired remote. Push AI available with EF lens (Not available with
CINEMA lenses) 1/2-stop, 1/3-stop or FINE control. Possible to maintain constant F- number during zoom.
Image stabilization system Depends on lens used
Type Dual DIGIC DV5
Video storage media CFast2.0™ and SD card supported. Simultaneous Recording to
CFast2.0™ and External Device possible
Recording time Depending on card used and resolution/ bit rate selected
Recording file format XF-AVC (Material eXchangeFormat (MXF))
Recording Standard Video Compression: MPEG-4 AVC/H.264
Audio Recording Linear PCM (16bit/24bit-48k Hz -4ch)
File Format XF-AVC (MXF)
Bit rate Intra 410 / 225/220 / 110Mbps, LongGOP50Mbps
Long GOP 35 or 24 Mbps (for proxy recording onSD cards)
Recording format SD Card
Movies Long GOP recording only (*)
Resolution 2048 x 1080 / 1920 x 1080
Signal configuration YCC420 8bit Photo: JPEG
Resolution 2048 x 1080 / 1920 x 1080 (*) Proxy recording using low bit rate
Recording frame rate
59.94 Hz 59.94i / 59.94P / 29.97P / 23.98P (Depending on resolution selected)
50.00 Hz 50.00i /50.00P / 25.00P (Depending on resolution selected)
24.Hz 24.00P
Slow / Fast motion
59.94 Hz: 59.94P
2K (2048 x 1080 / 1920 x 1080) 1 to 60 (1fps increments) / x60 to x1
2K CROP (*1)(2048 x 1080 / 1920 x 1080) & Intra 1 -60 -120 / x60 -x0.5 (2 fps increments for rates over 60fps)
2K CROP (*1) (2048 x 1080 / 1920 x 1080) & LongGOP 1 to 60 (1fps increments) / x60 to x1 (1fps increments)
4K (4096 x 2160 / 3840 x 2160) 1 -30 (1fps increments) /x30 -x1
2K (2048 x 1080 / 1920 x 1080) & RGB 1 -30 (1fps increments) / x30 -x1
2K (2048 x 1080 / 1920 x 1080) & YCC 1 -30 -60 (1fps increments) / x30 -x0.5
2K CROP (*1) (2048 x 1080 / 1920 x 1080) &Intra & YCC 1 -30 -120 / x30 -x0.25 (2fps increments for rates over 60fps)
2K CROP (*1) (2048 x 1080 / 1920 x 1080)& LongGOP&YCC 1 -30 -60 / x30 -x1/2 (1fps increments)
4K (4096 x 2160 / 3840 x 2160) 1 -24 -30 (1fps increments) / x24 -x0.8
2K (2048 x 1080 / 1920 x 1080)&RGB 1 -24 -30 (1fps increments) / x24 -x0.8
2K (2048 x 1080 / 1920 x 1080)&YCC 1 -24 -60 (1fps increments) / x24 -x0.4
2K CROP (*1) (2048 x 1080 / 1920 x 1080)&Intra&YCC 1 -24 -120 / x24 -x0.2 (2fps increments for rates over 60fps)
2K CROP (*1) (2048 x 1080 / 1920 x 1080)&LongGOP&YC 1 -24 -60 / x24 -x0.4 (1fps increments)
50.00 Hz
2K (2048 x 1080 / 1920 x 1080) 1 -50 (1fps increments) / x50 -x1
2K CROP (*1) (2048 x 1080 / 1920 x 1080) & Intra 1 -50 -120 / x50-x0.42 (2 fps increments for rates over 50fps)
2K CROP (*1)(2048 x 1080 / 1920 x 1080) & LongGOP 1 -50 (1fps increments) / x50 -x1
4K (4096 x 2160 / 3840 x 2160) 1 -25 (1fps increments) / x25 -x1
2K (2048 x 1080 / 1920 x 1080) & RGB 1 -25 (1fps increments) /x25 -x1
2K (2048 x 1080 / 1920 x 1080) & YCC 1 -25 –50(1fps increments) / x25 -x0.5
2K CROP (*1) (2048 x 1080 / 1920 x 1080) & Intra & YCC 1 -25 -120 / x25 -x0.21 (2fps increments for rates over 50fps)
2K CROP (*1) (2048 x 1080 / 1920 x 1080) & LongGOP& YCC 1 -25 -50 / 250 -50 % (1fps increments)
24.00 Hz
4K (4096 x 2160 / 3840 x 2160) 1 -24 -30 (1fps increments) / x24 -x0.8
2K (2048 x 1080 / 1920 x 1080) & RGB 1 -24 -30 (1fps increments) / x24 -x80
2K (2048 x 1080 / 1920 x 1080) & YCC 1 -24 -60 (1fps increments) / x24 -x0.4
2K CROP (*1) (2048 x 1080 / 1920 x 1080) & Intra & YCC 1 -24 -120 / x24 -x0.2 (2fps increments for rates over 60fps)
2K CROP (*1) (2048 x 1080 / 1920 x 1080) & LongGOP& YCC 1 -24 -60 (1fps increments) / x24 -x0.4 (*1) The 2K area
at the center of the 4K area is cropped and recorded. The size of the image is doubled (the view
angle changes).
Interval Record Yes
Frame Record YES
Pre Record (cache record) Yes
Relay Recording YES
Double Slot (simultaneous) Recording YES
Scan Reverse YES: Both / Vertical/ Horizontal /Off
HD->SD conversion NO
Internal Data Transfer YES. Clips can be copied from CFast2.0™ to CFast2.0™ card internally in Media Mode.
Photo storage media SD Card
Still quality 2048 x 1080 / 1920 x 1080
Size 4” (10.1 cm diagonal) color wide-screen LCD with 16:9 aspect ratio
Dots Approx. 1.23 million dots (854 x RGB x 480), 100 % field of viewcoverage
Image quality adjustments Super High, High or Normal can be selected as the luminance adjustment. Others aresame as for the viewfinder.
Adjustable YES
Waveform Monitor YES
Focus Assist YES
Peaking YES
Zebra YES
Markers YES
Size 0.46” (1.18 cm on the diagonal), color organic EL display with a wide-screen 16:9 aspect ratio
Type Organic LED
Dots Approx. 1770,000 dots (1024 x RGB x 576)
Image quality adjustments Adjustment of the viewfinder brightness, contrast, color, sharpness and luminance
boosting (on/off) can be performed (using menu settings).
Adjustable YES
Correction lens +2.0 to -5.5 diopter
Audio in: YES: 2x XLR input on monitor unit, 3.5 mm input on Camera Body
Headphone output YES Output impedance 50Ω or less, Reference signal output level 50Ω or less
Reference signal output level -∞ to -12 dBV(with 16Ω load, volume from MIN to MAX)
Video/Audio output MON., REC OUT terminals: BNC Jack
Video[HD] SMPTE 292, SMPTE 274 [3G]: SMPTE 424, SMPTE 425
Audio[HD] SMPTE ST 299-1 [3G]: SMPTE ST 299-2 Output impedance 75Ω, Output signal level 0.8Vp-p
HDMI HDMI terminal (type A) Complies with HDMI specifications. Video / Audio output
IEEE 1394 (Firewire) NO
Time code BNC jack (input / output)
Genlock BNC jack (also serves as the SYNC OUT terminal) Signal level 1.0 Vp-p, Input impedance 10KΩ
Synch BNC jack (also serves as the SYNC OUT terminal) Signal level 1.0 Vp-p, Input impedance 10KΩ
LCD Monitor Input/Output VIDEO terminal Canon’s proprietary specifications (special 13-pin jack)
LCD Monitor Input/Output AUDIO terminal Canon’s proprietary specifications (special 13-pin jack)
Component out NO
AV terminal NO
DC input YES
Remote Control Terminal 2.5 mm mini jack
Wireless Control Terminal Via optional Wi-Fi adaptor
Colour Bars EBU, SMPTE, ARIB
Tally lamp YES
Accessory shoe YES (cold shoe, 3 locations: top of body, top of handle, front of handle)
Exposure Control and Metering Manual, Push Auto Iris, Auto Iris (with compatible lenses).
Metering Options (a) Standard (center-weighted metering),(b) Spotlight,(c) Backlight compensation
Exposure compensation 0.25 increments from ±0 to ±2.0.
Push Auto Iris YES (EF and EF-S lenses. Not available with EF Cinema Lenses.)
Exposure Lock Via Push AI Function
Auto Gain Control setting YES
ISO Sensitivity
1 Stop increments [100], 160(*), 200, 400, 800, 1600, 3200, 6400, 12800, 25600, [51200, 102400] [—]
Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF.
1/3 stop increments [100, 125], 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500,
3200, 4000, 5000, 6400, 8000, 10000, 12800, 16000, 20000, 25600,
[32000, 40000, 51200, 64000, 80000, 102400]
Gain setting
Normal [-6dB, -3dB], -2dB(*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB,30dB,
33dB, 36dB, 39dB, 42dB, [45dB, 48dB, 51dB 54dB] [—] Displayed when ISO speed expansion is ON. (*)
Displayed when ISO speed expansion is OFF.
Fine Any value from -2dB to 24dB in 0.5dB increments can be set.
Control Modes Off, Speed, Angle, Clear Scan, Slow
Shutter speed 59.94 Hz
Off 59.94(i/P) : 1/60/29.98P: 1/30 24.00P 1/24
Speed 1/1 -1/2000
Clear Scan 59.94 Hz mode: 23.98 Hz (lowest) to 250.37 Hz 24.00 Hz mode: 24.00 Hz (lowest) to 250.37 Hz
Note The frequency will differ depending on the frame rate setting.
Slow 59.94(i/P) 1/4, 1/8, 1/15, 1/30; 29.98P 1/4, 1/8, 1/15: 24.00P 1/3, 1/6, 1/12
50.00 Hz
Off 50.00(i/P) 1/50; 25.00P 1/25
Speed 1/1 -1/2000
Clear Scan 24.00 Hz (lowest) to 250.40 Hz Note: The frequency will differ depending on the frame rate setting.
Slow 50.00(i/P) 1/3, 1/6, 1/12, 1/25; 25.00P 1/3, 1/6, 1/12
Shutter Angle 59.94 Hz / 50.00 Hz 360.00, 240.00, 180.00, 120.00, 90.00, 60.00, 45.00, 30.00, 22.50, 15.00, 11.25
Focus Systems
AF Options Dependent on the interchangeable lens used and User Selected Mode. Dual Pixel CMOS AF (CMOS AF), Contrast AF
AF Modes One-Shot AF, Continuous AF and AF-Boosted MF are the available modes. All of these modes take
effect when the AF/MF switch of the EF lens is at the AF setting
Face Detection AF Yes; Face Priority or Face Only
Dual Pixel CMOS AF Yes. Compatible with all EF Mount Lenses (Except Manual Focus Only models)
Stored Configurations 7 presets
Canon Log 2 C.Gamut(Cinema Gamut) Canon Log 2 : BT.2020 / Canon Log 2 : DCI-P3
Canon Log 2 BT.709
Canon Log BT.2020 Gamut BT.709
Storage Medium Internal or SD card
Gamma Setting Options Canon Log 2 / Canon Log / Wide DR / EOS Std.Normal1 (STANDARD )/ Normal 2 (4.0x) / Normal 3 (BT.709)
Normal 4 (5.0x) Colour Space Settings
Cinema Gamut / BT.2020 Gamut / DCI-P3 Gamut / BT.709 Gamut
Colour Matrix Settings Neutral / Production Camera / Cinema EOS Original / Video / EOS Std. / OFF
Customisable and protected settings YES
Black Gamma YES
Low Key Saturation YES
Knee YES
Sharpness YES
Noise reduction YES
Skin detail YES
Selective Noise Reduction YES
Colour matrix YES
White balance YES
Colour correction YES
Setup level YES
Press YES
Clip 100 % IRE YES
Auto YES
Kelvin Range 2000K to 15000K, 100K intervals, Default 5500K
Preset Daylight / Tungsten
White Balance Shift Yes, -9 to +9 (Daylight or Tungsten Preset selected)
Black balance adjustment YES
Time code
Countup system Regen, RecRun, FreeRun, External, Hold (Drop frame available for NTSC Mode)
Start value setting “00:00:00:00”, Set / Reset selectable
Recording 16-bit 2ch (48 kHz) linear PCM
Control Independent limiters and auto / manual settings
Microphone attenuation YES
Microphone level meter YES
Battery Type BP-A30 (included),BP-A60 (optional)
Input Power Supply 14.4 V DC (battery pack), 16.7 V DC (DC IN)
Power Consumption TBC
Continuous Recording Time Supplied BP-A30: Up to **** minutes, Optional BP-A60: Up to *** minutes
Approx. 149 x 183 x 183 mm (5.9 x 7.2 x 7.2 in) [EOS C300 MarkII+ thumb rest]
Approx. 190 x 183 x 187 mm (7.5 x 7.2 x 7.4 in) [EOS C300 MarkII+ grip]
Approx. 190 x 265 x 226 mm (7.5 x 10.4 x 8.9 in) [EOS C300 MarkII+grip+bracket+handleunit]
Approx. 190 x 307 x 362 mm (7.5 x 12.1 x 12.8 in) [EOS C300 MarkII+grip+bracket+handleunit+monitorunit]
Detachable handle YES
Weight (camera only) TBC
Weight (fully equipped) TBC
Operating Temperature range
Approx. 0°C to 40°C, 85 % (relative humidity)
Approx. -5°C to 45°C, 60 % (relative humidity)
1 x Camera Port Cap PL
1 x Canon C300 II 4K Camcorder
1 x Canon C300 II PL mount
1 x Canon C300 Arri Top Handle/Plate K2.00006859/ K2.73002.0
1 x ARRI C300 II Broadcast Support Plate K2.0006797
1 x Canon C300 II Side Hand Grip Unit
1 x ARRI Quick Release Base Plate QRP-1 K2.0000399
1 x ARRI C300 II Broadcast Support WA2 Incl Shoulder Pad
1 x ARRI BPA-2 Bridge Plate Adapter C300 15mm supp K2.66172.0
1 x ARRI C300 Support Plate K2.66173.0
1 x Canon C300 II LCD Monitor
2 x Canon C300 II LCD Monitor Cable
2 x 15mm, Support Rod 300mm
2 x 15mm, Support Rod 540mm
1 x Rain Cover C300 / C200 Camrade
1 x Canon CA-A10 AC Adapter C200 / C300 II 4F Pin Lemo
1 x Power Cable D-Tap - 4F Lemo for Canon C300 II PC-24B
1 x Carry Strap
2 x Sandisk CFast2 120/128GB Memory Card 450/515MB/s
1 x CFast 2.0 Card Reader (USB 3.0)
1 x Data Cable USB 3.0 Flat End (Micro B)
2 x Battery for Canon C200 / C300 II/ XF705 BP-A60 (Large)
1 x Battery for Canon C200 / C300 II/ XF705 BP-A30 (Small)
1 x Canon AC CG-A10 XF-705/C300 II/C500 II
2 x Power Cable Figure 8

An optional K6/ME66 Gun Mic and Headphone package is available at £12 per day including boom pole & cables in a single case.

C300 Flight Case 72 x 42 x 26 14.4kg

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