Camera kits

ARRI Alexa PLUS 4:3 / Speed-Panchro T2.3-2.8 PL S2/S3 Prime set

Shoot Kit 6- MB19/FF4/Video 20

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ARRI Alexa Plus 4:3 35mm Digital Film Camera recording to 120p onto SxS card.  Similar to regular Alexa but features a 4:3 Super 35 sensor and the ability to switch from 16:9 sensor mode to 4:3 sensor mode.

Please read VMI’s comparison article: ARRI Alexa, all you need to know about the Alexa range of cameras

Please read VMI's article: WLCS Systems, All you need to know to explore the question of how to choose between the various systems and to introduce the range of WLCS systems which VMI arguably considers the best in their field and explain why we think that they work very well in given scenarios.

Please also read VMI's article on Capturing 12 bit RAW with ARRI, Panasonic, Sony, Canon and other cameras using Odyssey 7Q RAW Recorder

Lenses

Cooke S2/S3 Speed Panchro 5 lens vintage prime T2.3-2.8 PL remounted lens set - 18mm, 25mm, 32mm, 50mm, 75mm

These classic lenses have been remounted by TLS.

It is important to acknowledge however for anyone not familiar with these lenses is that they are 40+ year old glass (in modern housings) so obviously they have their own quirks (which is the magic of them).  For instance the glass in all the 75mm lenses from this series have all yellowed with age, so you need to adjust white balance or filter appropriately.

Cooke S2 Speed Panchro 5 lens Prime Set

  • Cooke S3 Speed Panchro PL Prime 18mm/T2.3 CF 7"
  • Cooke S3 Speed Panchro PL Prime 25mm/T2.2 CF 15"
  • Cooke S2 Speed Panchro PL Prime 32mm/T2.3 CF 12"
  • Cooke S2 Speed Panchro PL Prime 50mm/T2.3 CF 2'7"
  • Cooke S2 Speed Panchro PL Prime 75mm/T2.8 CF 3'

Front Element 110mm

ARRI Alexa Plus 4:3 35mm Digital Film Camera recording to 120p onto SxS card.  Similar to regular Alexa but features a 4:3 Super 35 sensor and the ability to switch from 16:9 sensor mode to 4:3 sensor mode.

Please read VMI’s comparison article: ARRI Alexa, all you need to know about the Alexa range of cameras

Please read VMI's article: WLCS Systems, All you need to know to explore the question of how to choose between the various systems and to introduce the range of WLCS systems which VMI arguably considers the best in their field and explain why we think that they work very well in given scenarios.

Please also read VMI's article on Capturing 12 bit RAW with ARRI, Panasonic, Sony, Canon and other cameras using Odyssey 7Q RAW Recorder

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Package Price
£893/day, £2679/week
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Optional Accessories

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