Blog / Resources / Cinematography How Infrared light affects Cinematography Cinematography Infrared cinematography opens up a whole new spectrum of light not visible to the unaided eye. This has the potential to give otherwise ordinary scenes a surreal and dream-like appearance and can really change the look of the images. In a very useful article by RED.com, several of the unique applications and technical hurdles are explored. This is very relevant to operators using such cameras as RED DSMC2-Helium, Gemini or low-light cameras such as Canon ME20 with removable infrared filters. Without IR Pass Filter With IR Pass Filter BACKGROUND The colors of visible light are created by electromagnetic radiation over a range of frequencies. In order of decreasing wavelength, these sensations are typically described as red, orange, yellow, green, blue, indigo and violet… Read Full article on RED Website Related articles Ana-more-phic, Navigating Full Frame Anamorphics Cinematography, Lenses Pairing a full-frame sensor with dedicated full-frame anamorphic glass allows cinematographers to utilise their camera’s full resolution without wasting sensor area or cropping away valuable field of view. The visual … Read more Scorpios Offer the Ultimate Hybrid Look Cinematography, Lenses “Incredibly clean. They (Scorpio FFAs) have very little distortion and they’re Full Frame anamorphics.” Paul Cameron ASC By smudging the lines between anamorphic and spherical, manufacturers ServiceVision have created a … Read more Braving the Bloom of Canon V35s, a Conversation with Robin Fox Cinematography, Lenses, Lighting DOP Robin Fox has shot documentaries, commercials, and last year his first feature film. The project was for the Wilkinson Sword and Atlassian Williams F1 Team’s “Partners in Smooth” campaign, … Read more
Ana-more-phic, Navigating Full Frame Anamorphics Cinematography, Lenses Pairing a full-frame sensor with dedicated full-frame anamorphic glass allows cinematographers to utilise their camera’s full resolution without wasting sensor area or cropping away valuable field of view. The visual … Read more
Scorpios Offer the Ultimate Hybrid Look Cinematography, Lenses “Incredibly clean. They (Scorpio FFAs) have very little distortion and they’re Full Frame anamorphics.” Paul Cameron ASC By smudging the lines between anamorphic and spherical, manufacturers ServiceVision have created a … Read more
Braving the Bloom of Canon V35s, a Conversation with Robin Fox Cinematography, Lenses, Lighting DOP Robin Fox has shot documentaries, commercials, and last year his first feature film. The project was for the Wilkinson Sword and Atlassian Williams F1 Team’s “Partners in Smooth” campaign, … Read more