Blog / Resources / Cinematography How Infrared light affects Cinematography Cinematography Infrared cinematography opens up a whole new spectrum of light not visible to the unaided eye. This has the potential to give otherwise ordinary scenes a surreal and dream-like appearance and can really change the look of the images. In a very useful article by RED.com, several of the unique applications and technical hurdles are explored. This is very relevant to operators using such cameras as RED DSMC2-Helium, Gemini or low-light cameras such as Canon ME20 with removable infrared filters. Without IR Pass Filter With IR Pass Filter BACKGROUND The colors of visible light are created by electromagnetic radiation over a range of frequencies. In order of decreasing wavelength, these sensations are typically described as red, orange, yellow, green, blue, indigo and violet… Read Full article on RED Website Related articles Braving the Bloom of Canon V35s, a Conversation with Robin Fox Cinematography, Lenses, Lighting DOP Robin Fox has shot documentaries, commercials, and last year his first feature film. The project was for the Wilkinson Sword and Atlassian Williams F1 Team’s “Partners in Smooth” campaign, … Read more Macro & MikroMak Lenses – all you need to know. Cinematography, Lenses Introduction I am no longer surprised at seeing the sceptical look on cinematographers’ faces when I tell them that a group of macro primes exist which don’t follow the usual … Read more VMI Publishes Lens Comparison Videos Cinematography, Lenses In a break from tradition demos, VMI invited 40 camera department professionals to come and shoot their own tests across full frame lenses from Cooke, Gecko, Tribe and Sigma on either Sony Venice or ARRI Mini LF. No agendas. No hard selling. Just creative people doing what they do best.
Braving the Bloom of Canon V35s, a Conversation with Robin Fox Cinematography, Lenses, Lighting DOP Robin Fox has shot documentaries, commercials, and last year his first feature film. The project was for the Wilkinson Sword and Atlassian Williams F1 Team’s “Partners in Smooth” campaign, … Read more
Macro & MikroMak Lenses – all you need to know. Cinematography, Lenses Introduction I am no longer surprised at seeing the sceptical look on cinematographers’ faces when I tell them that a group of macro primes exist which don’t follow the usual … Read more
VMI Publishes Lens Comparison Videos Cinematography, Lenses In a break from tradition demos, VMI invited 40 camera department professionals to come and shoot their own tests across full frame lenses from Cooke, Gecko, Tribe and Sigma on either Sony Venice or ARRI Mini LF. No agendas. No hard selling. Just creative people doing what they do best.