EF Mount, PL Mount
Super-35, Super-35 Anamorphic (4:3)
4K, 5K, HD
Consider the addition of the Kippertie Revolva quick-change filter system
The DSMC2 Gemini system offers superior low light performance than the Helium sensor and the camera incorporates a taller sensor too [Sensor size 30.72 mm x 18.0 mm (Diagonal: 35.61 mm)], which only achieves 5K resolution compared with the Helium’s 8K resolution.
The new Gemini Sensor incorporates a new 5K sensor size 30.72 mm x 18.0 mm (Diagonal: 35.61 mm), which offers incredible low light performance and 16.5 stops of lattitude.
It covers capture 5K with a regular S-35 image size with no worry about cropping regular S-35 lenses.
Whilst the RED workflow is very well established, sometimes the quality of the RED codec is too good for small screen productions and it can sometimes be easier to use simpler codecs if you are shooting for TV or the internet.
The new DSMC2 allows multiple Codec Capture using the internal SSD minimag storage to permit R-3D REDCODE RAW, 4K Apple Prores 4444 or AVID DNxHR/HD formats at up to 275MB/second.
2 x RED Minimag 480GB SSDs are included as standard and more storage is available at additional charge.
The RED DSMC2 camera platform is completely modular and as such, offers a variety of different camera backs at a nominal additional charge to suit the specific application.
The introduction of the OFFHOLLYWOOD OMOD Command module takes integration to a whole new level with RTMotion WLCS, and other soon-to-be announced Lens Control systems all effectively built into the latest RED cameras
Integrated RED PLUS system allows the lens control motors to plug directly into the camera system and add the following functionality:
This is the ultimate in camera integration to make the systems extremely elegant and devoid of the ‘rats nest’ of cable and peripherals that drama crew have been accustomed to working with.
RED DSMC2 Flight Case: 76 x 44 x 34cm 18.50kg
Country Of Origin: USA
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