£400/day£1,200/week
RED
EF Mount, PL Mount
Super-35
Mini-Mag
4K, 6K, 8K, HD
The Helium Sensor captures 6K with a regular S-35 image size without any crop, though acquiring at 8K may still produce vignetting with certain lenses.
Whilst the RED workflow is very well established, sometimes the quality of the RED codec is too good for small screen productions and it can sometimes be easier to use simpler codecs if you are shooting for TV or the internet.
The DSMC2-Helium allows multiple Codec Capture using the internal SSD minimag storage to permit R-3D REDCODE RAW, 4K Apple Prores 4444 or AVID DNxHR/HD formats at up to 275MB/second.
4 x RED Minimag 512GB SSDs are included as standard and more storage is available at additional charge.
The RED DSMC2 camera platform is completely modular and as such, offers a variety of different camera backs at a nominal additional charge to suit the specific application.
SPECIFICATION
DESCRIPTION
Sensor Type
HELIUM® 35.4 Megapixel CMOS
Effective Pixels
8192 x 4320
Sensor Size
29.90 mm x 15.77 mm (Diagonal: 33.80 mm)
Dynamic Range
16.5+ stops
Signal-to-Noise Ratio
80 dB
Max Data Rates
Up to 300 MB/s using RED MINI-MAG® (480GB, 512GB, 960GB & 1TB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
Max Frame Rates1
60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456)
60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024)
75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592)
96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
Playback Frame Rates (Project Time Base)
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
Best Available REDCODE® Settings1
5:1 REDCODE for 8K Full Format (8192 x 4320) at 24 fps
12:1 REDCODE for 8K Full Format (8192 x 4320) at 60 fps
2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps
3:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps
REDCODE RAW Acquisition Formats
8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
Apple® ProRes
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (
) up to 120 fps
Avid® Codecs
DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
DNxHR 444 at 2K (
) 12-bit up to 120 fps
DNxHD 444 and HQX (
) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (
) 8-bit up to 120 fps
Construction
Carbon Fiber, Magnesium, and Aluminum Alloy
Weight
3.3 lbs (BRAIN® with Integrated Media Bay)
Operating Temperature
0˚C to 40˚C (32˚F to 104˚F)
Storage Temperature
–20˚C to 50˚C (–4˚F to 122˚F)
Relative Humidity
0% to 85% non-condensing
Color Management
Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2® expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
Audio
Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
Remote Control
Integrated R.C.P.™ WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module
Monitor Outputs
3G-SDI (HD-SDI) and HDMI® with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
Monitor Options
DSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF (OLED) with cable-free connection.
RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, BOMB EVF® (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO® Adaptor A and LCD/EVF cable.
REDCINE-X PRO Delivery Formats
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime®, JPEG, Avid AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
Video Editing Software Compatibility2
Adobe® Premiere® Pro, Avid Media Composer®, DaVinci Resolve®, Edius Pro®, Final Cut Pro®, Vegas Pro®
RED DSMC2 Flight Case: 76 x 44 x 34cm 18.50kg Country Of Origin: USA
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