Camera kits

Canon C200 (EOS Mount) 4K Camcorder / Sigma_Cine Zoom Pair (18-35mm & 50-100 T2 EF)

Shoot Kit 9EF- MB19/FF4/O'Connor 2575 T/S

  • Description
  • Rates & Accessories
  • Other Information

This is an interesting 4K alternative camera to the Canon C300 II in EOS mount, as it has a smaller footprint to the C300 II and is able to record internally to RAW (Cinema RAW Light), 4K UHD/50P MP4, 4K DCI RAW and upto 120fps in full HD without crop onto CFast 2 cards whilst retaining Canon's excellent dual pixel auto focus system.  However, it doesn't record Prores, for which you still require to use the C300 Mk I or Mk II.

Lenses

A pair of Sigma 18-35mm/T2 & Sigma 50-100/T2 Cine High-Speed Zoom Lenses incorporates native Canon EF mounts. 

Completely new design from the previous DSLR optical range with new optics, new mechanics and genuine film housing with clear focus scale marked in feet.

These are genuine film lenses with EF mounts, so are heavier than DSLR zooms but optically they are beautiful, don't breathe (zoom when focussing) and will hold focus when zooming.  They are heavier than the equivalent DSLR zooms though (1.45kg/3.19lb), so will need to use the lens support foot (supplied) as the EF mount won't support it without.

Read independent Imago review of Sigma Prime Lenses

It provides an image circle that covers Super 35mm-sized sensors and features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High Speed Zoom lineup, which makes for rapid lens changes.

The 9-bladed iris provides round out-of-focus highlights for a natural-looking bokeh. The lens barrel features 180° of rotation from close focus to infinity, and the zoom barrel rotates 160°, and the clickless iris ring features 60° of rotation. All three lens control rings are geared with cine-standard 0.8 Mod gears, and the focus scale is marked in feet. 
The front of the lens is 95mm in diameter with a removable 1/4"-20 support foot that helps support the lens with the aid of a 1/4"-20 rod-mounted lens support (supplied).

Colour Balance

All of the lenses in the lineup are designed to comply with SIGMA's CCI standard simplifying when intercutting between lenses.

Dust-Proof and Splash-Proof Design

Sharing the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM|Sports, each ring and mount is sealed to prevent water and dust from entering.

All Metal Body Construction

The lens body is made completely of metal to stand up to the rigors of the production day.

Lens Markings

The main lens markings are in luminous paint for easy visibility in low light situations. The intermediate markings are laser-engraved for durability. The focus and zoom markings are readable from either side of the lens.

Lens Front

The lens features a 95mm front diameter for compatibility with a wide variety of matte boxes and incorporates an 82mm front filter thread.

Lens Gears

All lens gears in the Sigma zoom range are standard 0.8 Mod and feature a damper that eliminates metallic sounds when you reach the end of the lens travel.

Sigma 18-35mm T2 Cine High-Speed Zoom Lens (Canon EF) 

  • T2 Consistent aperture over entire zoom range
  • Engineered for 4K with very high resolution, high contrast
  • Native Canon EF mount
  • Covers Super 35 Sensor Sizes
  • 9 Blade Iris for Attractive Bokeh
  • Weighs Only 1.45kg.
  • Consistent contrast, resolution and field illumination across the whole focus and zoom range
  • Compatible with all EF cameras and accessories
  • Colour-matched to existing prime and zoom lenses
  • High optical resolving power and optomechanical design to meet all 4K shooting requirements
    Significantly reduced ‘focus breathing’ means less distortion and more consistent shooting
  • 95mm front element.

Sigma 50-100mm T2 Cine High-Speed Zoom Lens (Canon EF) 

  • T2 Consistent aperture over entire zoom range
  • Engineered for 4K with very high resolution, high contrast
  • Native Canon EF mount
  • Covers Super 35 Sensor Sizes
  • 9 Blade Iris for Attractive Bokeh
  • Weighs Only 1.89.
  • Consistent contrast, resolution and field illumination across the whole focus and zoom range
  • Compatible with all EF cameras and accessories
  • Colour-matched to existing prime and zoom lenses
  • High optical resolving power and optomechanical design to meet all 4K shooting requirements
    Significantly reduced ‘focus breathing’ means less distortion and more consistent shooting
  • 95mm front element.

Supplied on a 3 day hire rate.

 

 

This is an interesting 4K alternative camera to the Canon C300 II in EOS mount, as it has a smaller footprint to the C300 II and is able to record internally to RAW (Cinema RAW Light), 4K UHD/50P MP4, 4K DCI RAW and upto 120fps in full HD without crop onto CFast 2 cards whilst retaining Canon's excellent dual pixel auto focus system.  However, it doesn't record Prores, for which you still require to use the C300 Mk I or Mk II.

more...


Package Price
£500/day, £1640/week
Add to Shoot Kit


Guides

Everything you wanted to know about 4K but were too afraid to ask...

Do we adopt 4K now or wait for 8K?

The Case for and against 4K

Shooting with HD Video lenses on large sensor cameras

Large Sensor Cameras - Everything that you need to know

VMI Guide: The Canon C300 II version C300 - What's the fuss about?

Tapeless Acquisition and Production

Specifications

Camera  
   
Image Sensor  
Sensor Super 35mm type CMOS
System RGB primary colour filter (Beyer array)
Total pixels per sensor Approx. 9.84 megapixels (4206 x 2340)
Effective pixels per sensor Approx. 8.85 megapixels (4096 x 2160): When 4096 x 2160 or 2048 x 1080 is selected as the resolution 
  Approx. 8.29 megapixels (3840 x 2160): When 3840 x 2160 or 1920 x 1080 is selected as the resolution
Signal-to Noise Ratio 50.00 Hz mode: 53 dB (Typical) 
  [3840x2160/25.00P, Canon Log 3 Base sensitivity ISO800 (Dynamic range 1600%),HDMI OUT]
Dynamic Range 15 Stops (Cinema RAW Light1), 13 Stops (MP4/Canon Log3)
   
Image Processor  
Type Dual DIGIC DV6
   
Lens  
Lens Mount Canon EF Mount
Lens Magnification factor (for EF Mount lenses, including Cinema Primes) At  4096 x 2160 or 2048 x 1080 resolution: Actual focal length x approx. 1.460 
  At  3840 x 2160 or 1920 x 1080 resolution: Actual focal length x approx. 1.534
Peripheral illumination correction Yes with compatible lenses
   
ND filter Clear,2,4,6,8,10-stop
Focus control Manual via lens, manual via RC-V100 Auto Focus (Dual Pixel AF Approximately 80%(vert.),80%(horiz.))
Iris control Manual Via camera body or RC-V100, fine, 1/2 or 1/3 step increments, Auto (with compatible lenses), Push Auto Iris
Image stabilization system Depends on lens used
   
Recording  
   
RAW Recording options RAW (Cinema RAW Light 23)
Internal Recording Cinema RAW Light 45, MP4, XF-AVC6
Recording time (CFast 2.0™card) 128GB card 15 Mins (4K Cinema RAW Light 1Gbps VBR)
Recording time (SD Card) 128GB card 110 mins (MP4, 150Mbps), 485Mins (MP4, 35Mbps) 
  128GB card 105 mins (XF-AVC7, 160Mbps), 375 mins (XF-AVC8, 45Mbps)
  Cinema RAW Light 910 (CFast 2.0™), MP4 / XF-AVC11 (SD card)
Recording Formats  
Recording Frame Rate (1) 59.94 Hz mode (59.94P/29.97P/23.98P) 
  (2) 50.00 Hz mode (50.00P/25.00P) 
  (3) 24.00 Hz mode (24.00P)
Slow/Fast motion YES
Interval Record YES
Frame Record YES
Pre Record (cache record) YES, 3 seconds
Relay Recording YES, SD Card recording only
Double Slot (simultaneous) Recording YES, SD Card recording only
Scan Reverse NO
HD->SD conversion NO
Photo storage media SD Card
Photo Recording Size 2048x1080 (when video image resolution is 4096x2160/2048x1080) 
  3840x2160 (when video image resolution is 3840x2160) 
  1920x1080 (when video image resolution is 1920x1080)
   
System  
   
Wave Form Monitor YES
Colour Bars YES, SMPTE / EBU / ARIB
Peaking YES
Zebra YES. Zebra 1 Level 5 ±5% to 95 ±5% in 5 percentage point intervals (70 ±5%) 
  Zebra 2 Level: 0% to 100% in 5 percentage point intervals (100%)
Markers YES, Centre, Horizontal, Grid Aspect Ratio(4:3 / 13:9 / 14:9 / 16:9 / 1.375:1 / 1.66:1 / 1.75:1/1.85:1 / 1.90:1 / 2.35:1 / 2.39:1 / Custom), Safe Area (80% / 90% / 92.5% / 95%)
EVF Built- In EVF
  YES. 1.77M dots
   
Optional EVF Accessory Canon EVF-V70 (Also requires CL-V2 bracket)
   
Display Panel  
Display Panel 4 inch/10.1cm diagonal LCD Monitor. Touch panel. Approx., 1.23M dots
   
Inputs/Outputs  
Audio in XLR x2, 3.5mm Audio, AES/EBU digital or Analog Audio input, Line, Mic, +48V Phantom Power supported
Headphone output YES
   
HDMI YES, HDMI 2.0, output only. Max. output resolution 3840 x 2160.Timecode out compatible
USB YES. Mini-B Hi-Speed USB
3G/HD-SDI output YES x 1.BNC jack 
  Video [HD]:SMPTE 292. [3G]:SMPTE 424, SMPTE 425 
  Audio [HD]:SMPTE ST 299-1. [3G]:SMPTE ST 299-2, Output impedance 75 Ω, Output signal level 0.8 Vp-p
   
Time code NO
Genlock NO
Synch NO
Component out NO
AV terminal NO
DC Output NO
DC input YES, 14.4V DC (Battery), 16.7V DC (DC-In)
   
Power Consumption 50.00P: Cinema RAW Light/MP4; 18.5W (Approx.)
   
Continuous Recording Time (battery) BP-A30 (3100mAh) 130 Min (Approx.) BP-A60 (6200mAh) 280 Mins (Approx.) 
  Cinema Raw Light/4096 x 2160 or MP4/3840 x 2160 recording
   
Shooting functions  
   
Exposure  
Exposure metering (a) Standard (centre-weighted metering) 
  (b) Spotlight 
  (c) Backlight (compensation)
Exposure Compensation AE shift function . The target value (±8 steps from centre) for the brightness can be set. Indicated as exposure values (EV). (±2.0, ±1.75, ±1.5, ±1.25, ±1.0, ±0.75, ±0.5, ±0.25, and ±0) are displayed on the screen as AE [numerical values]
Push Auto Iris YES
Exposure Lock NO
   
Auto Gain Control setting NO
ISO Sensitivity 1-Stop Display: [100], 160(*), 200, 400, 800, 1600, 3200, 6400, 12800, 25600, [51200,102400] 
  [---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF.1/3 Stop Display: [100,125], 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12800, 16000, 20000, 25600, [32000, 40000, 51200, 64000, 80000, 102400] [---] When ISO speed expansion is ON.
Gain setting [-6dB,-3dB], -2dB(*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB, 30dB, 33dB, 36dB, 39dB, 42dB, [45dB, 48dB, 51dB, 54dB] 
  [---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF. 
  When ISO speed expansion is ON: between -2 dB and 54 dB 
  When ISO speed expansion is OFF: Any value from -2 dB to 42 dB in 0.5 dB increments can be set.
   
Auto Focus System  
Dual Pixel CMOS AF supported  Manual focus, one-shot AF, continuous AF, AF-Boosted MF, face detection AF (only lenses that support AF functions can be used in any of these modes), focus guide
AF Frame Sizes Large; size equivalent to approx. 20% (vertical) x 25% (horizontal) of the image display range; Small; size equivalent to approx. 20% (vertical) x 8% (horizontal) of the image display range
Auto Focus Modes One-Shot AF, Continuous AF and AF-Boosted MF are the available modes. All of these modes take effect when the AF/MF switch of the EF lens is at the AF setting. 
  One-Shot AF: AF is performed only while the one-shot button to which it has been assigned is held down. No further lens movement is permitted after focusing. 
  Continuous AF: AF control is performed at all times. 
AF-Boosted MF Face Detection AF
  Available; face Priority or Face Only. 
  Face Priority: AF is set to face frame when a face is detected, to tracking frame when tracking, and AF frame when there is no face or tracking. 
  Face Only: Switches to face frame when a face is detected, to tracking frame when tracking, and MF when there is no face or tracking. 
  In both Face Priority and Face Only, the face to detect can be selected with the joystick.
Focus Guide Available; displays focus status or unfocused status using the AF signal.
Shutter speed  
Control Modes Manual only
  Shutter speed
  1/3 stop display: 1/1, 1/1.26, 1/1.59, ---, 1/1600, 1/2000 (total of 34 settings) 
  1/4 stop display: 1/1, 1/1.19, 1/1.41, 1.68 ---, 1/1700, 1/2000 (total of 45 settings). 
  The slowest speed will differ depending on the frame rate setting.
   
Shutter Angle 360.00, 240.00, 180.00, 120.00, 90.00, 60.00, 45.00, 30.00, 22.50, 15.00, 11.25 
  Also, angle values equivalent to 1/120, 1/60, 1/40, 1/30, 1/100, 1/50, 3/100, and 1/25 are selectable within the minimum angle range from 360°.
  Slow Shutter (SLS)
  59.94(i/P) : 1/4, 1/8, 1/15, 1/30 
  29.97P frame rate has been set: 1/4, 1/8, 1/15 
  24.00P or 23.98P: 1/3, 1/6, 1/12
  Clear Scan
  24.00 Hz*  to 250.40 Hz 
  (*) The frequency will differ depending on the frame rate setting.
   
Custom Picture  
Stored Configurations PRESET: Canon Log 3/Canon Log /BT.709/Off 
  GAMMA: Canon Log 3/Canon Log/Wide DR/Normal 1 (Standard)/Normal 2 (x4.0)/Normal 3 (BT.709)/Normal 4 (x5.0) 
  COLOUR MATRIX: Neutral/Production Camera/Cinema EOS/Original /Video/ Off
Storage Medium Internal, SD Card
Master Pedestal 0 ± 50
Master Black Red 0 ± 50
Master Black Green 0 ± 50
Master Black Blue 0 ± 50
Black Gamma 0 ± 50
Low Key Saturation 0 ± 50
Knee Point -154
Knee Slope -85
Knee Saturation 0 - ±10
Sharpness Level -60
Noise reduction Off / 1 - 12
White balance Red/Blue Gain 0 - +50
Setup level (0 - ±50)
W-Fi Specification Standard: IEEE 802.11b/g/n (2.4 GHz band), IEEE 802.11a/n (5 GHz band) (not supported in Qatar, Indonesia or Iraq) IEEE 802.11b/g/n (2.4 GHz band) IEEE 802.11n/11a (5 GHz band): Differs depending on the model’s destination. 
  Authentication: Open system, WPA-PSK, WPA2-PSK 
  Encryption systems: WEP-64, WEP-128, TKIP, AES
White balance Auto
  YES. Shockless WB available
  Preset
  Daylight (5600K), Tungsten (3200K)
  Manual setting
  Preset A/B, Colour Temperature Setting: 2000K - 15000K
Black balance Black balance adjustment
  Auto Black Balance Adjustment
Time code Countup system
  Regen, RecRun, FreeRun, TC Hold. Drop Frame /NonDrop Frame ( DF/NDF) in 59.94P/29.97P mode only
   
Audio  
Recording Cinema RAW Light: Linear PCM (24-bit12 / 16-bit / 48 kHz / 4 channels) 
  XF-AVC13: Linear PCM (24-bit / 48kHz / 4 channels) 
  MP4: MPEG-4 AAC-LC (16-bit / 48 kHz / 2 channels), Linear PCM (16-bit / 48 kHz / 4 channels)

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