Canon C500 Mk II FF5.9K Camera PL/EF (Full Frame)

5.9K capture with anamorphic, Full Frame & S-35 capability

£290.00 / day
£1,160.00 / week

Canon C500 II FF 5.9K large Sensor Full Frame Camera supplied with choice of EF or PL mounts (compatible with all canon EF lenses or PL full frame lenses), equipped with full anamorphic capability or 4K S35mm windowed option.  Touch screen LCD and ARRI Pro kit are all included as standard.  5.9K Cinema RAW Light or 4K 4:2:2 XF-AVC capture to dual CF Express cards. Note that a package including Expansion II module and EVF is also available.
Manufacturer

Mount

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Sensor Size/Coverage

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Media Standard

  • 5.9K Cinema RAW Light or 4K 4:2:2 XF-AVC.
  • Compact Form Factor.
  • Full configures into a shoulder-mount camcorder with full ARRI Kit and professional EVF
  • Native PL or EF mount.  PL mount reads Cooke/i data.
  • Advanced Dual Pixel Auto Focus Mode (in EF mount only with suitable lenses).
  • Records up to 5.9K images to internal CF Express cards.
  • All acquisition formats possible including anamorphic and Full Frame.
  • Up to 60p in 5.9K/60p in Cinema RAW Light S-35
  • or up to 120p in a S-16 crop.
  • 10 stops of built-in ND.
  • Built-in Image Stabilisation, even with PL lenses.
  • Up to 4 audio channels using extension 2 back (provided with VMI kits as standard).
  • 12G 4K output.
  • ACES and LUT Support.
  • 9 customisable buttons

Compact Form Factor

The Canon C500 Mk II uses the same sensor as the Canon C700 FF, built into a versatile, modular compact form factor camcorder which is shorter than the C300 Mk II and body weighting just 1.75kg (without battery).  It can be used in a cut-down format to make it suitable for gimbal and drone use or instead can be built up into a fully-featured shoulder-mounted camera complete with full ARRI kit and professional viewfinder.

Choice of Native Lens Mount

It can be supplied with a choice of native PL or EF mount and will record 4K+ images either in 16:9 or anamorphic formats.

The PL mount can read Cooke/i data.

Choice of Powering Options

VMI provides C300 III/C500II cameras with 3 x large on-board Canon batteries as standard, in order that the camera can be operated in the most compact form-factor possible, however we are also offering a V-Lock battery back and  5 x Hawkwoods V-Lock batteries as a chargeable extra for maximum versatility.  Please note that the Canon Expansion II backs also incorporate a V-Lock battery clip and V-Lock battery clip as part of the upgrade package price, if preferred.

Advanced Dual Pixel Auto Focus Mode (in EF mount only with suitable lenses)

Canon’s Dual Pixel CMOS AF Technology function really has to be seen to be appreciated.  There are many AF modes which can allow the user to totally avoid the feared ‘focus hunt’.

High-speed Continuous AF auto focus, smooth, intuitive touch focus operation as well as an improved focus control that recreates a more natural focus pull. To further fine tune AF performance, the EOS C500 Mark II offers the ability to set the AF tracking speed and response.

Clearly, this requires suitable Canon AF lenses and the most recent EF lenses offer the best auto focus functionality.

Records on-board Cinema RAW Light

It records up to 5.9K images to internal CF Express (same form factor as XQD cards).

15 stops of dynamic range is available when shooting with either the Canon Log2 gamma curve or in Cinema Raw Light, making it ideally suited to capturing HDR video content and the camera is able to record oversampled 4K video internally, which should provide superior results to using a native 4K only sensor.

Users can also capture footage internally using Canon’s own XF-AVC codec. Unlike its big brother the Canon C700, the Canon C500 II can only capture Cinema Raw Light to internal cards and not the full RAW format, though the quality is excellent  This efficient codec also benefits the user to be able to benefit from long record times (up to 50 mins of 25p in 5.9K Cinema Raw Light on single 512GB CFExpress card).   THe C500 Mk II is also compatible with original Canon log, Canon Log 2 or Canon Log 3 if preferred.

All acquisition formats possible including Anamorphic and Full Frame

The new Canon-developed full frame sensor used in the C500 II and C700 FF has a native resolution of 5952 x 3140 pixels, providing a 17:9 cinema-friendly aspect ratio, and has an imaging area of 38.1×20.1mm in size, making this both a bit wider and a bit shorter than a standard full frame sensor.  However, this is smart, since it achieves the same image circle size as a full frame DSLR, meaning the C500 II FF is compatible with Canon’s entire line of EF-mount lenses at their standard focal lengths.

The full frame (FF) or windowed open gate or Super-35 modes mean that you have a complete choice of all of the capture formats including S-35 Open Gate 4:3 to create 2:1 ot 2:38:1, 16:9 windowed S-35 or Full Frame 16:9.

LCD and outstanding Viewfinder

The VMI C500 II Kit includes a touch-screen 4.3-inch LCD monitor as standard but VMI are offering the superb OLED Electronic Viewfinder EVF-V704 as a low-cost option and which totally converts this camera into a totally functional professional shoulder-mount camera.

Fast and Slow Capability

The C500 II will offer up to 60p in 5.9K/60p in Cinema RAW Light S-35 or up to 120p in a S-16 crop.

Built-in ND

In common with the Canon C700 FF, the C500 II offers 10 stops of built-in ND.

Built-in Image Stabilisation

Hard to believe but not only will the Canon C500 II stabilise images with suitable EF lenses but it has a function to perform a small digital zoom and offer digital image stabilisation of non-stabilising lenses including PL mount lenses.

We are also including the ARRI Pro Set to allow standard film accessories to be fitted. The ergonomic grip design for easy handling and operability, making it ideal for single shooter operation.

Up to 4 audio channels

The C500 II incorporates 2 x XLR audio inputs but when used with the Extension 2 module, this increases to 4 x separate XLR audio inputs.  The Extension 2 module also provides genlock, time code, multiple HD-SDI outputs and power outputs too0.  VMI is providing the Extension 2 back as standard with the Canon C500 Mk II.

12G 4K output

Surprisingly few cameras incorporate a 4K output but the C500 II outputs 4K both via the HDMI output and also via a configurable 12G HD-SDI output, so 4K will not need 4 x separate cables.

Output 12G 4K video from a single SDI Cable.
*** Note that the SDI output mirrors the record standard, so if recording in 4K, then the SDI is also 4K.  HD output only possible if used in conjunction with the Expansion II module***

ACES and LUT Support

Not usually seen in a camera at this level, the Canon C500 II users can customize their own LUTs and load them onto the camera for precise-look monitoring, also, users can apply different LUTs for each output terminal.

A new dedicated LUT button gives additional operational flexibility.

The EOS C500 Mark II supports ACES 1.0 of the Academy Colour Encoding System. Using Canon supplied IDTs, images captured on the EOS C500 Mark II can be imported directly into the ACES compatible systems.

Additionally, video output from the camera can be monitored by selecting the ACES Proxy.

Storage

VMI kits are supplied with 3 x 512GB CF Express cards.  This card format can provide a sustained data rate of up to 1700 Mb/s.

IMAGE SENSOR
Sensor Full Frame CMOS sensor
System RGB primary colour filter (Bayer array)
Sensor Modes Full Frame / Super 35 mm (Crop) / Super 16 mm (Crop)
Total Pixels Approx. 20.8 megapixels (6062 x 3432)
Effective Pixels (Full Frame Mode) Approx. 18.69 megapixels (5952 x 3140): 5952 x 3140 or 4096 x 2160 or 2048 x 1080 selected resolution
Approx. 17.52 megapixels (5580 x 3140): 3840 x 2160 or 1920 x 1080 selected resolution
Effective Sensor Screen Size 38.1 x 20.1 mm (43.1 mm on the diagonal): 5952 x 3140, 4096 x 2160 or 2048 x 1080 selected resolution
35.7 x 20.1 mm (41.0 mm on the diagonal): W 3840 x 2160 or 1920 x 1080 selected resolution
Dynamic Range Canon Log 2: 1600% / 15+ stops
Canon Log 3: 1600% / 14 stops
Wide DR: 800% (at ISO 400)
IMAGE PROCESSOR
Type DIGIC DV7
LENS
Lens Mount Canon EF Mount. B4 mount lens via adapter accessory (EF or PL)
Changeable Lens Mount Yes, User changeable to EF with Cinema Mount or PL
Lens Magnification factor (for EF Mount lenses, including Cinema Primes) Full Frame
5952 X 3140/4096 X 2160/2048 X 1080: x1.00
3840 X2160/1920 X 1080: x1.056
Super 35MM (Crop):
4096 X 2160/2048 X 1080: x1.460
3840 X 2160/1920 X 1080: x1.534
Super 16mm (Crop):
4096 X 2160/2048 X 1080: x2.920
3840 X 2160/1920 X1080: x3.069
Peripheral illumination correction YES (dependent on lens used)
ND filter Up to 10 stops via built in ND filter system (in extended mode)
Focus control EF Mount: Via lens, wireless control or wired remote (dependent on lens used), PL Mount: Only Cine Servo lenses
Iris control (EF mount lenses) Via body, grip, wireless control or wired remote. 1/2-stop, 1/3-stop or FINE control. Possible to maintain constant F-number during zoom.
Cooke /i Technology Support Yes (PL Mount only after mount change)
Anamorphic Lens Support Yes, x2.0/x1.3
Image stabilisation system Optical depending on lens used. Electronic IS available (5-Axis)
RECORDING
Internal Recording CFexpress card x2 for Cinema RAW Light or XF- AVC/MXF, SD card for XF-AVC Proxy recording SD card also used for Photo Storage (1920 x 1080), CP setting transfer and firmware update
Recording time (CFexpress card, 512GB) Approx. Cinema RAW Light:
5952 X 3140: 2.1Gbps: 30 Mins
4096 X 2160: 1 Gbps: 65 Mins
2048 X 1080: 250 Mbps 256 Mins
XF-AVC/MXF:
4096 X 2160: 810 Mbps 79 Mins/410 Mbps 156 Mins
2048 X 2160: 310 Mbps 207 Mins/160 Mbps 401 Mins
Recording Formats Cinema RAW Light (CRM), XF-AVC (MXF)
System Frequency/ Frame Rates 59.94Hz mode (59.94P / 59.94i / 29.97P / 23.98P)
50.00Hz mode (50.00P / 50.00i / 25.00P) 24.00 Hz mode (24.00P)
Cinema RAW Light Bit Rate/Bit Depth (PAL) 5952 X 3140: 50.00P, 2.1Gbps 10-bit/25.00P, 2.1 Gbps 12-bit
4096 X 2160: 50.00P, 1 Gbps 10-bit/25.00P, 1Gbps 12-bit
2048 X 1080: 50.00P, 250Mbps 10-bit/25.00P 250 Mbps 12-bit
XF-AVC Recording Bit Rate/ Sampling (PAL) 4096 X 2160/3840 X 2160: 50.00P YCC 4:2:2 10-BIT 810 Mbps/25.00P YCC 4:2:2 10-bit 410 Mbps
2048 X 1080/1920 X 1080: 50.00P YCC 4:2:2 10-BIT 310 Mbps/25.00P YCC 4:2:2 10-bit 160 Mbps
All Intra Frame
XF-AVC Proxy Recording Bit Rate/ Sampling (PAL) To SD Card 2048 X 1080: 50.00P, YCC 4:2:0 8-bit 35 Mbps/25.00P, YCC 4:2:0 8-bit 24 Mbps Long GOP
Slow/Fast motion Cinema RAW Light:
5952×3140/4096×2160: 59.94P /29.97P/ 50.00P / 25.00P : 15 – 60 FPS. 24.00P/ 23.98P : 12 – 60 FPS
2048×1080: 59.94P /29.97P/ 50.00P / 25.00P : 15 – 120 FPS.24.00P/ 23.98P : 12 – 120 FPS
XF-AVC, Full frame/Super 35mm (Cropped):
4096×2160/3840×2160 (810/410 Mbps): 59.94P /29.97P/ 50.00P / 25.00P : 15 – 60 FPS
24.00P/ 23.98P : 12 – 60 FPS
2048×1080/1920×1080 (310/160 Mbps): 59.94P /29.97P/ 50.00P / 25.00P : 15 – 60 FPS
24.00P/ 23.98P : 12 – 60 FPS
Super 16mm (Cropped)
59.94P /29.97P/ 50.00P / 25.00P : 15 – 120 FPS. 24.00P/ 23.98P : 12 – 120 FPS
2048×1080 (35/24 Mbps): 59.94P /29.97P/ 50.00P / 25.00P : 15 – 120 FPS. 24.00P/ 23.98P : 12 – 120 FPS
Interval Record No
Frame Record No
Pre Record (cache record) Yes, 3 seconds
Relay Recording Yes
Double Slot (simultaneous) Recording Yes
Scan Reverse Yes
HD->SD conversion No
Photo storage media SD/SDHC memory card
Photo Recording Size Approx. 930 KB at 2048×1080; Approx. 880 KB at 1920×1080
SYSTEM
Wave Form Monitor Yes. Via MON.1/2, VIDEO or HDMI Terminals (Not available from SDI Out 1 -4)
Line Display/Line and Spot/Line Select/Field Display/RGB Display/YPrPb. HDR PQ and HDR-HLG output supported. Indication is pre-LUT (where LUT is selected)
False Colour Display (Exposure Indication) Yes. Via MON.1/2, VIDEO or HDMI Terminals
Colour Bars SMPTE, EBU and ARIB colour bars available. See the menu.
Peaking Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable)
Zebra Level 1; Level 2; Both
Output via HD-SDI or HDMI
Markers On/Off selectable: centre, horizontal, grid, aspect, safety zone, and rectangular marker. Colour selectable, yellow, blue, green, red, black, grey or white.
EVF
Built- In EVF No
Optional EVF Accessory Yes. OLED Electronic Viewfinder, EVF-V50 or EVF- V70
INPUTS/OUTPUTS
Audio in XLR 3-pin connector x2 , 3.5 mm stereo mini jack (input only, powered)
Input 1 and 2 on camera body. Additional 2x 3-Pin XLR on optional Expansion Unit EU-V2 (Input 3 and 4)
Headphone output 3.5 mm stereo mini jack (output only, Camera Body).
Video monitor output MON.: BNC jack , (output only, Camera Body).
HDMI HDMI connector (type A) (output only, Camera Body).
USB Yes, Input only, Camera Body. (GP-E2 connection)
SDI output BNC jack 1 x 12G-SDI Out (output only, Camera Body).
Time code BNC jack (input/output, Camera Body).
Genlock Yes with optional Expansion Unit EU-V1 and EU-V2. BNC jack (input only/also serves as SYNC OUT connector)
Synch BNC jack (output only/also serves as GENLOCK connector)
Component out No
AV terminal No
DC Output Yes, with optional EU-V2. DC 24V 2A jack Fischer 3-pin jack (output only), D-Tap connection, 50W maximum
DC input XLR 4-pin jack
Remote Control Terminal REMOTE A connector 2.5 mm stereo mini-mini jack (input only)
REMOTE B connector Round 8-pin jack (for RS-422) with optional EU-V1 or EU-V2
Wireless Control Terminal Yes
Lens terminal Yes, with optional EU-V2. 12-pin jack
Ethernet terminal Yes, with optional EU-V1 and EU-V2. Ethernet connector (RJ45) (supports 1000 BASE-T)
IP Streaming Yes. Via Ethernet connection. Wi-Fi capability TBC) 9 Mbps/4 Mbps:1920 X 1080 (59.94p/59.94i/ 50.00p/50.00i) optional EU-V1 or EU-V2 required
User Viewing LUT input YES
Video connector Canon’s proprietary specification (special 13-pin jack) for LM-V2 Monitor or optional EVF-V70 viewfinder or LM-V1 monitor
MISC
Tally lamp Yes
Custom Dial Yes
SHOOTING FUNCTIONS
EXPOSURE
Exposure metering Manual exposure determined by shutter setting, iris setting, ISO/gain setting and ND filter setting, Push Auto Iris, Auto Iris
Exposure compensation Yes
Auto Exposure mode Auto Iris with compatible lenses
Push Auto Iris Yes EF model all compatible lenses, PL Version compatible Canon Cine Servo lenses only with 12-pin connection on optional EU-V2
Exposure Lock No
Auto Gain Control setting Yes
ISO Sensitivity 1-Stop Display: [100], 160(*), 200, 400, 800, 1600, 3200, 6400, 12800, 25600, [51200,102400]
[—] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF
1/3 Stop Display: [100,125], 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500,
3200, 4000, 5000, 6400, 8000, 10000, 12800, 16000, 20000, 25600,
[32000,40000,51200,64000, 80000,102400]
[—] When ISO speed expansion is ON.
Auto Focus System (EF Mount) Dual Pixel CMOS AF, Contrast AF
AF Frame Sizes (EF Mount) Large; size equivalent to approx. 20% (vertical) x 25% (horizontal) of the image display range Small; size equivalent to approx. 20% (vertical) x 8% (horizontal) of the image display range Selectable AF point over 80% horizontal/80% vertical (approx.) of sensor
Auto Focus Modes (EF Mount) One-Shot AF, Continuous AF and AF-Boosted MF. All modes take effect when the AF/MF switch of the EF lens is at the AF setting. One-Shot AF, Continuous AF, AF-Boosted MF
Face Detection AF (EF Version Only) Face Priority or Face Only.
Focus Guide EF version: All compatible Canon EF lenses, Canon Cine Servo Lenses
Gain setting [-6dB,-3dB], -2dB(*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB, 30dB, 33dB, 36dB, 39dB, 42dB, [45dB,48dB,51dB,54dB]
[—] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF.
When ISO speed expansion is ON: between -2 dB and 54 dB
When ISO speed expansion is OFF: Any value from -2 dB to 42 dB in 0.5 dB increments can be set.
SHUTTER
Control Modes Off; Speed; Angle; Clear Scan (CS); Slow Shutter (SLS)
Shutter speed 1 sec to 1/2000 depending on frame rate and Shutter Control Mode, 39 setting options
Shutter Angle 11.25º to 360º depending on frame rate
Slow Shutter (SLS) 1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending on frame rate
Clear Scan 24.00 Hz* to 250.40 Hz
(*) The frequency will differ depending on the frame rate setting.
CUSTOM PICTURE
Stored Configurations BT.709 (Wide DR / BT.709 Gamut)
LOG (Canon Log 2 / Cinema Gamut)
HDR-PQ (HDR-PQ / BT.2020 Gamut)
HDR-HLG (HDR-HLG / BT.2020 Gamut)
USER5 to USER20 (Wide DR / BT.709 Gamut)
* From BT.709, HDR-HLG is protected.
Colour Matrix Neutral: Accurate colour reproduction
Production Camera: Colour reproduction for use in movie production
Video: Colour reproduction equivalent to C300/500 CP-OFF (for commercial cameras)
HDR-HLG Profile BT.2100: Corresponds to ITU-R BT.2100
Vivid: Corresponds to Traditional Colour in ITU-R BT.2390
Master Pedestal -50 to +50
Master Black Adjustable for each channel RGB -50 to +50 plus Master Black -50 to +50
Black Gamma Adjustable Level -50 to +50, Range -20 to +50 and Point -20 to +50
Low Key Saturation Adjustable: -50 to +50
Knee Point -50 to +109, Slope -35 to +50, Saturation -10 to +10
Sharpness Adjustment for Level, H Detail Freq., Coring, HV Detail Balance, Limit, Select, Knee Aperture and Level dependent sharpness
Noise reduction Off, On (1 to 12)
Skin detail Off, Low, Middle, High / Hue, Chroma, Area, Luminance. 32 steps
Selective Noise Reduction Off, Low, Middle, High / Hue, Chroma, Area, Luminance.
Colour matrix Phase, Gain and RGB adjustment, in tandem with Gamma selection
White balance AWB, USER setting (setting range: 2000K to 15000K/ -20CC to +20CC), daylight, tungsten, settings (A/B)
Colour correction Area selection / area revision of two areas
Setup level -50 to +50 On/Off
Wi-Fi & GPS SPECIFICATIONS
Wi-Fi (Optional Accessory) 1) WPS [Wi-Fi Protected Setup] (push-button system, PIN code system)
(2) Manual setup
(3) Search for access points
Open system, WPA-PSK, WPA2-PSK, WEP-64, WEP- 128, TKIP, AES, Auto /manual
GPS Information (Optional Accessory) Latitude/Longitude/Elevation, Coordinated Universal Time (UTC)
WHITE BALANCE
Auto YES
Preset Daylight (5400K), Tungsten (3200K), Kelvin (2000K-15000K, 100K intervals), Set A, Set B
White Balance Matching Yes, for previous models
White Balance Shift YES. -9 to +9 (Daylight and Tungsten only)
BLACK BALANCE
Black balance adjustment YES
TIME CODE
Count up system Regen, RecRun, Free Run, External, Hold (Drop frame available for some frame rates)
Start value setting ’00:00:00:00′, Set/Reset selectable
AUDIO
Recording Linear PCM (24-bit / 48kHz), 4 channels
ACCESSORIES – Supplied Camera Grip GR-V1, Thumb rest, Mic holder unit [w/ M4 screw], LCD Monitor LM-V2,
LCD Attachment Unit LA-V2, Handle unit, Shoulder strap SS-1200, Battery Charger CG-A20,
Compact power adapter CA-CP200B, AC cable, Battery pack (BP-A60),
Extension System Attachment Bracket, Unit Cable UN-5,
Other: Stopper, Hex Wrenches (M4 and M3), Hex Socket Head Bolt (1/4 in.),
Hex Socket Head Bolt (M3)
ACCESSORIES – Optional “Canon Battery Pack BP-A30/BP-A60 (provided with camera)
Canon Battery Charger CG-A10/CG-A20 (provided with camera)
Canon Remote Controller RC-V100
Canon Compact Power Adapter CA-CP200B (provided with camera)
Canon Shoulder Strap SS-1200 (provided with camera)
Canon Tripod base TB-1
Canon Wireless Transmitter WFT-E9
Canon GPS Receiver GP-E2
Canon Unit Cable UN-5 (provided)/UN-10 (purchased separately)
Canon OLED Electronic View Finder EVF-V50(*)/EVF-V70
* Canon Extension unit 1: EU-V1
* Canon Extension unit 2: EU-V2
* Canon EF Cinema Lock Mount Kit CM-V1
* Canon PL Mount Kit PM-V1
Canon B4 Mount Adapter MO-4E/MO-4P
Canon LCD Monitor LM-V2 (included)/LM-V1
Canon LCD Attachment Unit LA-V2 (included)/LA-V1
Canon Camera Grip GR-V1 (included)
Canon Shoulder Support Unit SU-15
Canon Shoulder Style Grip Unit SG-1
Canon Clamp Base CL-V2
Canon Rod Clamp RD-1
Canon Handle Unit HDU-2
Canon 8-pin Remote Cable RR-10/RR-100
Canon EF/EF cinema lens group, Canon PL cinema lens group, and accessories
designed for these lenses
(*) New products
Third Party Accessories V-Lock battery
MISCELLANEOUS
Dimensions (Main Body Only) 153x148x168mm (WxHxD)
Weight (Body Only) Approx. 1,750g
Weight (Accessories) Camera Grip GR-V1: Approx. 260g Mic holder unit: Approx. 56g
LCD Monitor LM-V2: Approx. 204g LCD Attachment Unit LA-V2: Approx. 265g
Handle unit: Approx. 227g Thumb rest: Approx. 9g
Battery Pack BP-A60: Approx. 434g Extension System Attachment Bracket Approx. 11g
Compact Power Adapter CA- CP200B: Approx. 290g (Not including AC cable)
Unit Cable UN-5 Approx. 80g Battery Charger CG-A20: Approx. 145g Body cap: Approx. 1g
Eyecap: Approx. 26g
Optional accessories
Extension unit 1: EU-V1: Approx. 11g Extension unit 2: EU-V2: Approx. 652g
OLED Electronic View Finder: EVF-V50: Approx.17 g
EF Cinema Lock Mount Kit CM-V1: Approx. 170g Not including cap
PL Mount Kit PM-V1: Approx. 345g Not including cap
MO-4E: Approx. 230g MO-4P: Approx. 248g
CFexpress card: Approx. 8g Clamp Base: CL-V2:Approx. 120g
Operating Temperature range Approx. 0 to 40°C, (85% relative humidity), Approx. -5 to 45°C, (60% relative humidity)
Power Supply BP-A60 (Supplied), BP-A30 (Optional) V-Lock with EU-V2, 11V – 20V, Mains 4-pin XLR
Power Consumption (W) Cinema RAW Light: Full size/5952 x 3140 2.1GB: 59.94P/50.00P 34.0W
Super 16mm/2048 x 1080
250Mbps: 59.94P/50.00P 28.0W
XF-AVC: Full size/ 4096 x 2160 810Mbps: 59.94P/50.00P 33.4W
Super 16mm/2048 x 1080
310Mbps: 59.94P/50.00P 28.0W
MAX POWER CONSUMPTION: 63W
Notes * All specifications are subject to change without notice

Canon is an authorised licensee of the CFexpress Ver.2.0™ trademark owned by CompactFlash Association, which may be registered in various jurisdictions.

Canon C500 II FF 5.9K Camera
Canon C500 II LCD 4" Monitor incl. monitor bracket K2.0015520
Canon C500 II LCD/EVF Cable
1 x Canon EF or PL mount and port cap.
Canon 4" touch-screen LCD screen
3 x 512GB CF Express cards
CF Express Reader
Mic Kit: Sennheiser K6/ME66 Shotgun Microphone
Sennheiser HD205 Headphones
19mm Support Rod  340mm
Option of V-Lock back and choice of 5 x Hawkwoods 98WH batts and 2 x Hawkwoods 2-way chargers
or 4 x Hawkwoods 150WH batts and 2 x Hawkwoods 2-way chargers
Optional BP8 support kit with 19mm bars

C500 II Flight Case 72 x 42 x 26 14.4kg

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