Blog / Resources / Media, DIT and Streaming Shoot the best quality 200fps available using Odyssey 7Q and Sony FS 700/C500 Media, DIT and Streaming The Convergent Odyssey 7Q is a new off board 4K recorder with 8” OLED screen that offers outstanding slow motion capability at very high image quality when used in conjunction with HD Cameras and in particular the Canon C500, Sony FS-700 and ARRI Alexa. Some of these new functions require already announced firmware updates which will come into effect quite soon (April 2014). One benefit of the Odyssey 7Q over other recorders is that it is easy to understand and use with a crew friendly touch screen GUI and simple BNC I/O. As many of you are aware, we at VMI understand and share your pain of having to configurate and use an off board recorder instead of just being able to use on board codecs and the Odyssey addresses as much as is possible the operational issues.It has three main camera interfaces at the moment- Canon C500, Sony FS700 and ARRIRAW (and distinctly more useful than using an XT-more of which next month). So no completely impractical 4 BNC feeds and dense engineering menus needed to set the Odyssey up. Whilst spec sheets inevitably list endless supported resolutions and fps, the headlines for Canon and Sony are as followsCanon C500: 4K raw or UHD onto 256GB SSDs giving 12 mins per card and all other codecs down to HD 4:2:2 10 bit giving approx. 100 mins per 256GB. It will also permit 4K @60p and HD/2K @120p in the next firmware release.Sony FS700: 4K 10 bit YCC and currently 2K to 200fps across the 2 drives-giving 12 mins of high quality slow motion. Please note it is important to understand that this does not use the clunky buffering system that the FS700 records slo-mo internally, but uses the BNC feed out of the camera as both data stream and HDSDI not a broadcast locked pal or ntsc HDSDI picture stream and records in a RAID style alternate frames to A and B drives which can be stiched together on an NLE with a simple bit of free Convergent software. This will be upgraded to a 4K stream in time and is therefore the highest quality slo-mo available across any cost effective package.The Odyssey will also be available with the new ProRes 4K codec for using ARRI Alexa when it is released.However the recent firmware release of the Convergent Odyssey 7Q external 4K recorder offers a lot more options when shooting 4K with the Sony FS-700 recorder. This details the functionality now available.Odyssey7Q Firmware 1.1.105 ReleasedConvergent Design releases the long-awaited firmware update for the Odyssey7Q. There are improvements to old functions, fixes to some issues, and numerous new features.Highlights of the firmware update include:New FeaturesApple ProRes 422 (HQ) 1920×1080 recording/playback up to 30pMix file types on SSDs (raided, non-raided, RAW, ProRes, etc.)OLED Pixel Zoom frame drag (move window around frame)Improved/Added reference marks to Waveform, Histogram and False Color toolsOLED automatic screen flip (defeatable)Audio metersHeadphone volume controlHide video function (blackout OLED)1.33 Frame Guide addedOverlays on/off for SDI & HDMI outputsSony FS700 Record OptionFS700 4K RAW recording up to 60p“4K2HD” FS700 4K RAW to Apple ProRes 422 (HQ) 1920×1080 recording up to 30p. This feature supports either SLOG2 or IT709 (REC709) Picture Profiles. 1080p super-sampled from 4K RAW for a superior image.Canon C500 Record OptionQuadHD RAW (3840×2160) recording up to 60p2K & 1080p 12-bit RGB recording up to 30p in .DPXFixes & Improvements:FS700 false triggering reducedFS700 RAW white balance tracking correctedMonitored image tearing correctedIntermittent lines in image correctedCinema DNG files improved for greater post software compatibilityImproved SDI signal detection Related articles Is 4K or 6K Enough. Do we even need 8K or more? Cameras, Media, DIT and Streaming This article aims to explore that there are further considerations to make when considering the image size and CODEC, which means more data, more transfer time, more media resource and in post, more render time, ultimately costing production more money. However, there is also a sustainability argument which becomes relevant, since more data also means more energy usage and a greater carbon footprint. WORKING RESOLUTION: CONSIDERATIONS & BEST PRACTICES Cameras, Media, DIT and Streaming Netflix have published a very useful article, which takes an in depth look at the concept of a working resolution and outlines the best practices for image scaling throughout the production lifecycle… Brand New VMEDIA on-line database V2 Media, DIT and Streaming, Technology With so many different recording formats, memory card types, media sizes, compatibility issues and upgrade requirements, it can be a challenge trying to find compatible memory cards or SSDs for your camera or recorder. However, Lewis has been extremely hard at work to make this easier for you with the VMEDIA Online Database V2 which is organised into the most popular brands and sortable by camera model, which gives details on compatibility, data rates and approximate recording times too
Is 4K or 6K Enough. Do we even need 8K or more? Cameras, Media, DIT and Streaming This article aims to explore that there are further considerations to make when considering the image size and CODEC, which means more data, more transfer time, more media resource and in post, more render time, ultimately costing production more money. However, there is also a sustainability argument which becomes relevant, since more data also means more energy usage and a greater carbon footprint.
WORKING RESOLUTION: CONSIDERATIONS & BEST PRACTICES Cameras, Media, DIT and Streaming Netflix have published a very useful article, which takes an in depth look at the concept of a working resolution and outlines the best practices for image scaling throughout the production lifecycle…
Brand New VMEDIA on-line database V2 Media, DIT and Streaming, Technology With so many different recording formats, memory card types, media sizes, compatibility issues and upgrade requirements, it can be a challenge trying to find compatible memory cards or SSDs for your camera or recorder. However, Lewis has been extremely hard at work to make this easier for you with the VMEDIA Online Database V2 which is organised into the most popular brands and sortable by camera model, which gives details on compatibility, data rates and approximate recording times too