£131/day£393/week
A surprisingly high specification 6K S-35 sensor with 13 stops of latitude, built in NDs, high brightness 1500 nit 5" LCD monitor in a really small camera body with RAW capture to internal CF2 cards. Note that this model is EF mount only and does not provide 19mm support, so lens options are limited.
Blackmagic
CFast 2.0, SDHC UHS-II, SDXC UHS-II
EF Mount
Super-35, Super-35 Anamorphic (4:3)
4K, 6K, HD
A surprisingly high specification 6K S-35 sensor with 13 stops of latitude, built in NDs, high brightness 1500 nit 5″ LCD monitor in a really small camera body with RAW capture to internal CF2 cards. Note that this model is EF mount only and does not provide 19mm support, so lens options are limited.
Digital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post-production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a “look” to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post-production. The Pocket Cinema Camera works with industry-standard 17 and 33-point 3D LUT files, or you can work with the built-in LUTs such as Extended Video, Film to Video, Film to Rec.2020, and more.
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